The Garden Bloggers Fling 2019 is all in–we closed our final full day of touring last night with a delicious meal together in wood clad barn surrounded by beautiful landscape and rollings fields. Today folks are heading home with their heads and hearts filled with hundreds of garden vignettes and even more inspiration for their own pieces of paradise–and so far uncounted photos which they will share with the readers of their blogs. We’ll gather again next year in Madison , Wisconsin and do it all over again.
To learn more about the Garden Bloggers Fling go to http://www.gardenbloggersfling.blogspot.com where, in addition to general information about the Fling, you’ll find lists of participants and links to their blogs, a list of our wonderful sponsors, and photos from all the past Flings.
My last postcards from Denver…
THE GARDEN OF KIRSTEN AND SCOTT HAMLING IN DENVER
THE GARDEN OF ROB PROCTER AND DAVID MACKE IN NORTH DENVER
THE GARDEN OF JIM AND DOROTHY BORLAND IN DENVER
DENVER BOTANIC GARDENS
THE GARDEN OF PANAYOTI KELAIDIS IN DENVER
THE GARDEN OF DAN JOHNSON AND TONY MILES IN ENGLEWOOD
Hello friends! In the short 32 hours since visiting the High Plains Environmental Center (In a daze near Denver…High Plains Environmental Center), the traveling Garden Bloggers Fling 2019 participants have toured nine private gardens, one public garden and the home of Botanical Interests, a family owned seed company known to gardeners across the US. All were in the communities outside of Denver proper. Tomorrow, on our last full day of touring we will stay closer into the city visiting the Denver Botanic Garden and one of its extensions, Chatfield Farms plus six more private gardens.
With over 500 photos to sort through already to do each garden justice, I am going to tease you with just one snap of each garden–sort of a postcard from me to you just to show you what I’ve been doing on my vacation. Each garden will get a full post over the next few weeks.
THE GARDENS ON SPRING CREEK IN FT. COLLINS
THE GARDEN OF JAN AND RICHARD DEVORE IN FT. COLLINS
THE GARDEN OF CAROL AND RANDY SHINN IN FT. COLLINS
The High Plains Environmental Center (HPEC) is a non-profit (501c3) organization located in the Lakes at Centerra neighborhood in Loveland, Colorado. HPEC manages open space for the Centerra Metro district, homeowner’s associations and other landowners. In the simplest terms, revenues from those management fees support the operation and projects of the center. The organization’s website http://www.suburbitat.org has a wealth of information about the vision that inspired the center and the road it has taken to result in the current method of operation.
THE MEDICINE WHEEL GARDEN
The under-construction Medicine Wheel Garden is an ethnobotany garden which features plants that are used by Native American tribes of the Great Plains for food, medicine, and ceremony. The site also hosts powwows with regional third grade classes. The plants in the slightly raised, cut stone bordered beds which form a circle are just recently planted and very small.
Looking back toward the HPEC’s office building it is obvious that this is not a manicured garden space but a natural space whose primary goal is that of environmental stewardship and education. They are focused on community outreach rather than elaborate structures. Executive Director Jim Tolstrup shared that everything on their site, save the actual buildings, has been built by volunteers.
The geographical area known as the High Plains or Front Ridge enjoys 300+ days of sunshine a year and rarely more than 15″ of rainfall. It is a rich habitat for both wild life and plant life.
Centerra is a 3500 acre mixed use, master planned community in which people can live in harmony with nature, work and play. Seventy-six acres of land, three miles of trails and two lakes totaling over 200 additional acres are managed by HPEC. They work to create sustainable landscapes, restore native plant communities, and provide habitats for birds, butterflies and other wildlife. In addition to the Medicine Wheel Garden, the site includes a Native Plants Demonstration Garden, an Heirloom Fruit Orchard, a Community Garden, a Native Plant Nursery and a kids area they call the Wild Zone.
NATIVE PLANTS DEMONSTRATION GARDEN
The Native Plants Demonstration Garden showcases Colorado native plants and promotes a regionally appropriate style of horticulture that celebrates the natural beauty of the state, conserves water, reduces reliance on pesticides and fertilizer, and provides habitat for birds, butterflies, and other pollinators.
This very long double border contains trees, shrubs and perennials. This area had snow only a couple of weeks ago and thus is having a very late spring. Lots of healthy foliage throughout the border but not as many blooms as I had hoped for.
Although the Falugia paradoxa, commonly called Apache plume, on which these flowers and seed heads were born was pretty well past its prime, there were still many of the clear white blooms and even more of the fluffy, plume-like developing seed heads. I first saw this shrub in Austin and have lusted after one ever since.
The mountain ninebark, Physocarpus monogynus, was in full bloom.
Picea pungens ‘Montgomery’, the Montgomery spruce, is not only structural and sturdy but also provides a pop of blue gray to the border. Denver gold columbine is seen in the foreground.
Several nice colonies of showy milkweed caught everyone’s eye.
A logistically lucky shot caught its flower in all stages.
I think the penstemon were the stars of today’s show. I think this is Penstemon strictus, the Rocky Mountain penstemon.
THE HEIRLOOM FRUIT ORCHARD
Northern Colorado was once a significant fruit growing region. Apples, plums, cherries and blackberries with historic significance have been collected and are grown here, celebrating and preserving a piece of Colorado history.
THE COMMUNITY GARDEN
Garden plots here are cultivated by local families and the garden serves as an outdoor classroom for instructional the cultivation of food crops.
THE NATIVE PLANT NURSERY
The NATIVE PLANT NURSERY works in conjunction with the demonstration garden to help local homeowners establish their own native plant focused landscapes–they can see what mature plants look like and how they perform and then purchase their own small starts. The nursery grows over 80 species and propagates much of what is planted throughout the center. Plant sales provide an additional revenue stream for the HPEC.
THE WILD ZONE
The Wild Zone is an area dedicated to letting kids be kids in an unstructured natural environment. The signage says, “Please DO climb on the rocks, wiggle your toes in the water and create your own art projects using natural materials found here. Go Wild!
The High Plains Environmental Center is both proud of and passionate about its commitment to the community and Colorado’s natural world. Jim Tolstrup shared that Centerra has been registered as Colorado’s first National Wildlife Federation Community Wildlife Habitat–way to go!
We’ve arrived at our last Los Angeles garden on this 2019 Garden Conservancy Open Days event. If you are just joining us, you might want to go back and read about the other LA gardens–all post titles begin with “LA cruising”. If you still need information about the Garden Conservancy, its mission or programs http://www.gardenconservancy.org is the place for all the details, including more California Open Days events coming up in the next few weeks.
THE ZABEL GARDEN IN WINDSOR SQUARE
Landscape designer Nick Dean was on hand to answer questions about the front garden’s amazing transformation from overgrown shrubbery and an unused lawn to a vibrant low water landscape featuring wildlife friendly California natives and Mediterranean plants chosen for foliage color and texture as much as flower. He provided us with a postcard plant list which included before and after photos. Below is my photo of his before photo.
The pom pom of green seen mid photo is the aforementioned tea tree–a 90 year old behemoth whose snaking trunk comes from the ground just below the two windows. The identity of this Godzilla is still hazy to me. Mr. Dean clarified that it was a Melaleuca when I pressed him for a botanical name and seemed a little surprised that it was unknown to me–must be a very common tree in the area.
Although the angle of the photo is not quite the same my initial reaction was that this could not be the same property…but it is. First the lawn was removed and the slope terraced.
This street is blessed with parking strips that are larger than some urban front yards. The unthirsty plantings were continued here with gazanias, yellow and orange Anizoganthus (kangaroo’s paws), Penstemon ‘Margarita BOP’ and other sturdy growers providing year round interest without much care.
The slope is densely planted with both shrubs and woody perennials which have woven amongst each other to form a tapestry of all shades of green, gray and blue foliage periodically shot with whatever is in its prime bloom. There are no ‘one ofs’ here nor any annuals lined up in soldierly rows–a big view landscape like this demands big swaths of texture and color to do it justice.
Wide cobbled steps were added leading visitors gracefully to the home. On the mid right you see the tea tree’s pom pom again.
As you pass by it there is a glimpse of a whimsical log table and chairs installed under it making use of its shade and creating fairytale quality. Is this foliage visible enough for a tree ID anyone? Mary C–can you ask Mark?
This attractive facade was invisible from the street until the staircase and cozy courtyard was added.
Feels like a romantic afternoon in Italy to me. Casual conifers in pots (maybe Thuja or Chamaecyparis?) are a nice change from clipped boxwoods or privet. all the elements enhance the beautiful arched window.
Nicely detailed shutters frame windows graced with lovely French balconies to complete the curb appeal. A left turn from this petite circular resting spot would take you to the front door which is actually on the driveway side of the home. We are going to go right to another new courtyard area.
A study footbridge was built over the massive earthbound trunk of the tea tree to allow the surrounding space to be used without disturbing it. The utilitarian structure was masked by wiring additional removed smaller limbs to the base and handrails giving the bridge a fanciful look. It is not until you are ready to step on it that you recognize there is a solid structure there, not just the branches. Fig vine scrambling over it adds another layer of make believe to the whole picture. A+ on this creative solution to a gnarly challenge!
As you step off the bridge there is a little path down to the little tea tree dining room–this gem has grandchildren written all over it.
Another new Italian feeling courtyard was created in the slope renovation. Formal hedges of Westringea ‘Morning Light’ cozy up to a variety of roses. The curve of the hedge mimics the curve of the darker hedge beyond which virtually hides this courtyard from street view, making it a truly personal space.
The decomposed granite “floor” enhances the Mediterranean feel and provides a great base for easy walking.
From the path behind the roses you can see it is a large space with lots of elements joining together to feel welcoming and comfortable.
Formerly a solid wall, two new gates in the shadow of blooming yellow brugmansias now connect front garden to back.
Through the gates, the decomposed granite paths continue into another distinct garden room which is a sort of sunny foyer to much more shady living areas yet to be seen. I am sort of obsessed with these succulent fountains and it took all my control to only include a single photo of them. They were perfectly placed in visual alignment with the French door into the home.
The inner wall between the gates is massed with blooming perennials, including both purple and white heliotrope, and is home to a tiny bubbling wall fountain. I am not sure if this area was redone at the time of the front renovation. The ambiance is similar although many of the core plantings are clearly quite mature.
Still moving toward the back of the property paths on either side of the next room lead you through shady, predominantly bright green plantings.
Both paths allow access to this magical fire pit area surrounded by comfortable cushioned seating. To call this dappled shade would be a lightweight analysis. Tall tropicals and tree like camellias create this room’s walls. Although you are only steps to the home it feels as though you are in another country.
This massive tree contributes to the deep shade, encouraging a number of large ferns to thrive on the room’s perimeter.
Another inviting seating area is tucked up against the home. A sturdy pergola supports a leafy wisteria. I’m sure the color play of the lime green cushions and the purple wisteria when in bloom is wonderful!
From the same vantage point there is a wonderful view of a broad expanse of lawn (not well represented in this photo) which would probably be able to host a gathering requiring 20-25 six foot round tables. At the far end of the lawn a rocky grotto offers another, more sunny, relaxing spot. The curvaceous branch acting as a holder for the hanging lantern is yet another repurposed tea tree trunk.
We walked to the back of the property (ending up at the rocky grotto) on the perimeter path rather than the lawn. Clearly older landscaping without the foliage color variety seen in the front garden, it was still lovely and leafy. From a practical point of view I loved being able to travel from front to back off the lawn and on a compacted surface. I can see using these margins to stash plant material awaiting planting, houseplants needing a bit a rehab, etc. It would make a pretty good tricycle track also!
A twin to the seating area pergola provides shade for a table and chairs to seat ten and a compact outdoor kitchen.
A nice job has been done of softening a lot of the hard edges with in ground and potted plants.
We were to exit the back garden at a service area gate where the homeowners had a number of potted succulents including this very tall jade plant. I also spotted this tiny tillandsia tucked into a low tree branch.
The circular patterned pavers seen at the top of the stairs continue on this side of the home which is the driveway side. These garden visitors admire this intricate iron work gate and its simple Anduze style urns. Elegant and understated, I believe this is actually the home’s front entrance.
I never meet a leafy thing crawling on a house that I didn’t like. On the other hand, my husband gets hives just thinking about all those little suckers worming their way into his stucco or under his roof eaves. Pointing out that Europe is full of buildings that have lasted thousands of years with ivy, fig vine and roses hanging all over them has not moderated his stance. I think it is Cissus of some species, a relative to Virginia creeper and grape. I’m resigned to living vicariously by looking back over my shoulder as we walk to our car and seeing that lovely green tracery making itself right at home.
I loved this garden not only for its beauty but for its day to day liveablilty. The placement of so many relaxing and dining spots close to the home guarantees they’ll be used more often. The variety of plant materials was appealing. It was not perfect, looking as though someone was at the ready 24-7 to nip a past its prime rose or snip an errant leaf. I like that–it looks like real people live here and that they like to spend time in their garden. Can’t beat that in my book.
This year’s Gamble Garden Spring Tour is even more walkable than usual–it looks as though all but one of the gardens is an easy stroll from the Elizabeth F. Gamble Garden. Three are within a couple of blocks from each other. Taking the docent’s instruction I headed down the alley and around a corner to see my third garden of the day.
SIMPLICITY IS THE ULTIMATE SOPHISTICATION
This 120 year old cedar shingled residence is home to a minimalist modern Japanese garden commissioned by a homeowner with an affinity for Japanese history, art and garden design. She also is a practitioner of ikebana and wished her garden to have materials to use in her flower arranging. Family friend and garden designer Jarrod Baumann gave her the garden of her dreams including her requested Moon Gate, an iconic Asian design throughout the world.
The garden gate is flanked by a pair of weeping, corkscrew elms which were just leafing out. A zipper style path of Devonshire cream limestone and Ipe wood planks leads to the front door.
Miniature gingkoes, Gingko biloba ‘Mariken’ take the role of foundation shrubbery on both sides of the front steps and supply glowing yellow fall color fall. The plantings on either side of the front path are not symmetrical but compliment each other with similar materials in free flowing swathes.
The planting scheme is restrained without being overly manicured. Areas which would traditionally be moss in Japanese gardens are clothed in a perennial lawn substitute which is labeled Kurapia–botanically it is Lippia nodiflora. A bit of post tour research revealed this not particularly new plant is being trialed and marketed as a drought tolerant lawn replacement. It is a dense ground cover no more than about an inch tall. If allowed to flower it is very attractive to bees. The flowers are sterile and thus does not seed itself. HOWEVER, what is not really covered in the informative Kurapia brochures online is that it is very invasive, spreading rapidly by rooting runners. I planted a single 4″ pot under a tree in a smallish bed and spent 3 years fighting to get rid of it. It will overwhelm any other plant material and run under and over hardscape borders intended to contain it. I reckon this homeowner has it edged regularly. In this garden it was absolutely beautiful but I would caution buyer to beware! The Kurapia is bordered with a black mondo grass and sparkling Hokone grass, Hakonechloa macro ‘Aureola’. The low fencing encasing the front garden echoes the style of the zipper paths.
The shade of mature redwoods give this front garden which is on a busy corner, a welcome sense of enclosure and beds in dappled shade. Notice the large white concrete boulders which punctuate both sides of the front garden. Their smooth surfaces and pale color mimics the cream of the wall and path stones.
A magnificent cut-leafed Japanese maple, Acer P. dissectum ‘Sekimori’ stands as a sentinel to the side garden entrance in its stone planter.
The side yard is anchored by a rectangle lawn surrounded by mostly green plantings. The vertical bronze sculptures of bamboo stalks on both ends of the lawn are meant to evoke Inari shrines.
Just inside the gate and up against the house is this weeping cherry tree, one of a several used as a hedge, under which is tucked a small garden stool just in case you need a quiet spot to hide!
The white flowering quince also planted up against the house is prized material for late winter flower arrangements.
I can’t resist showing you the world’s best looking power meter, almost disappearing into the cedar siding.
Porches on two levels at the back of the house are draped in wisteria–white above and purple below.
Also planted on the front edge of the arbor is a Robinia pseudoacacia ‘Twisty Baby’, a deciduous, multistemed shrub in the black locust family. It’s contorted form and relatively small size make it an eye-catching patio specimen.
As we’ve reached the back of the side garden the bronze bamboo and plantings are repeated. They mask a wee potting bench and utility area.
A narrow Ipe planked path carries us to the opposite of the home. The small cottage ahead is used mostly for flower arranging.
Adjacent outdoor seating areas, one on a stone surface and the other stepped up on a wooden deck offer plenty of places to visit with friends and a glass of wine. The woven iron sofa and coffee table are massive yet airy–I’m not sure if cushions would usually be in play here.
Pots throughout are kept simple and spare. This large amber colored crystal was an unexpected piece of nature’s own art.
This designer left no detail undone–you saw the power meter, and now, necessary garden equipment (and possibly AC units?) is hidden behind a beautiful Ipe screen based on a traditional Japanese fan design.
The Moon Gate leads visitors back into the front garden via another zipper limestone path.
This sculptural Japanese pine, at least forty years old, anchors the front garden on this side of the house.
A dwarf red cut-leafed Japanese maple hovers only inches above the ground and seems to float in a sea of crushed limestone. The Kurapia ‘lawn’ and Hakone grass elements tie the front garden’s two side together.
Leaving the garden I can’t help but take one more glance at the Moon Gate, this time as it’s seen from the front. This garden is simple and serene without feeling fussed over or complicated–Glee, this one’s for you!
Enter the Garden is the theme for the 34th Annual Gamble Garden Spring Tour. Five homeowners graciously opened their gardens to give garden lovers a peek into Palo Alto’s historic neighborhood surrounding the Gamble Garden and just a short drive from Stanford University. I am an unashamed garden tour junkie and this event is right at the top of my favorites list. The Elizabeth F. Gamble Garden is a precious community resource and is supported solely by memberships and donations, receiving no funding from the city, state, or any other government entity. This annual tour provides valuable funding needed to keep the garden open to the public every day of the year. Please look back at my posts Gather in the garden… and You can Gamble on this spring tour… to learn more about the historic Gamble property and see gardens from the 2017 and 2016 tours.
A SHEEP IN PALO ALTO
The clean and classic lines of this New England flavored family home are enhanced by the front garden’s simple elegance, featuring formally clipped boxwood hedges and white tree roses.
Glossy black shutters and sparkling white woodwork play off the warm toned brick porch set in a herringbone pattern. The pair of Adirondack styled swings invite visitors to stay awhile.
A sunny spot as you enter the side yard offers a place to grow a few veggies. Notice the herringbone brick ‘stepping stones’, carrying the porch floor theme into the back garden.
The simple black metal gate echoes the home’s shutters and provides privacy for the family’s personal spaces. The coniferous Thuja trees (seen behind the planters above and on either side of the gate) are used as bright green backdrops throughout the garden.
This black sheep welcomes you to the back garden and was an online find by the owner.
This side yard provides visitors with their first full height view of the back garden’s small grove of mature redwoods.
A beautifully appointed outdoor sitting room offers a spot from which to enjoy the garden–the use of herringbone patterned brick is repeated here.
Artificial turf provides open play space for a busy family and the ability to host large gatherings. The garden’s green and white palette gets a pop of color from the orange mid-century modern chairs tucked in a spot perfect for viewing outdoor ping pong tournaments. Formal boxwood hedges and globes enclosing beds planted with white azaleas, ferns and New Guinea impatiens feel cool and chic with a Southern ambience.
The redwoods’ trunks and roots dictate the bed elevations and the stair step plantings make the beds feel very full even though a good circle of air space protects each tree’s base. The redwoods have been limbed up to a height of 25 feet. This allows them to provide almost a forest like atmosphere without overwhelming the space. Lights have been woven among the trees and they need to be adjusted every few years to accommodate the trunk’s changing girth.
Looking back from the grass to the home offers a view of the gorgeous second story deck which spans the width of the home and is outfitted with lounges and greenery in bright white cans.
The outdoor dining room graces a small brick patio and is partially screened from the neighboring property by Thuja.
This small guest house was added in a recent remodel and its patio offers space for the outdoor kitchen plus a powder room for guests.
As you exit the back garden by the side yard an out of the way, but easily accessed, nook has been created for the family’s bikes. Even the family dog has a stylish pad, including his own sun screen.
The small space between the driveway and the property line fence is outfitted in keeping with the home’s formal front garden–including its own Adirondack loungers…
…and a Little Free Library in case you need a good book while enjoying the garden!
PARADISE IN A MEADOW
I like to start a garden post with a street shot–sort of a curb appeal intro to what the garden is all about. The Palo Alto neighborhood surrounding the Gamble Garden has homes of all styles and sizes set on smallish to moderate sized lots by California semi-urban standards. Real estate here is purchased possibly by the square inch and even a tear down property is priced in the multi-millions. Homes may be very close to the street and shielded from view by walls or hedges. Mansions on huge lots with expansive gardens are rare but very large homes on small lots are not, especially if the current home is not the original one built on the parcel.
This historic Victorian home (photographed from the neighbor’s front walk) rises above its totally enclosed modern meadow garden inspired by New York City’s High Line, a naturalistic garden established on an unused spur of the city’s elevated train. Check out http://www.thehighline.org if you are not familiar with this unique garden offering trails and a killer NYC view.
As you enter the shallow but heavily planted area you are greeted by a fawn sized moss topiary grazing on its planted partners. Access to the open meadow is narrow and with a steady line of tour goers it is not possible to even step aside to identify or photograph individual plants.
Mixed plantings of shrubs, perennials, grasses, bulbs and ferns fill this small space, including many plants selected for their popularity in Victorian gardens–such as the Bear’s Breeches in the upper left and the Queen’s palm in the upper right.
The meadow is reached through a tunnel arbor planted thickly with sweet peas and other flowering annuals. Artistic accents are welcome surprises around each curve.
Entering the sunny meadow we walk along a single person wide path–a profusion of flowering trees and shrubs, bamboo, grasses, bulbs and perennials mingle in happy abandon.
The path follows the outside curve of the sunny center allowing us to walk in shade looking back over the meadow to the home’s porch.
The death of a massive oak last year offered the opportunity to plant two Chinese silk floss trees, one of which you see in front of the group of visitors. The tree’s trunk sports huge thorns and it will bear pink hibiscus like flowers in late summer through fall.
This eye-catching Albuca batteniana is tucked among the path’s green backdrop. This is a rarish South African perennial bulb related to Orthinogalum and will eventually have white starry flowers. The leaves were a yard long and the immature flower stalk rose over my head. I would think it a winner even if it never bloomed!
This beautiful vine draped arbor along the back of the garden was the space’s standout for me, offering a shady space to relax, dine and enjoy the garden.
The front half of the arbor has metal roofing in addition to the vines but the back half is open as you can see by the shade lines. Comfy outdoor furniture invites visitors to rest a bit while they admire one of several beautiful flower arrangement made from flowers, branches and foliage cut from the meadow.
View of the garden from the outdoor seating area under the arbor.
The more shaded end of the arbor is shielded from the street and the home’s parking by a double gate made from the same materials. These gorgeous custom iron handles and latches grace the double gate and adjacent pedestrian gate.
Looking back from the cobbled parking pad to the gates and arbor–who says functional can’t be also charming?
These first two gardens on the 2019 Gamble Garden Tour could not be more different from one another. The meadow garden, carefully planned and executed, results in a look of wild and natural abandon–anything goes! The classic, clean lines and limited palette of the first offer traditional garden beauty while not limiting the family’s use of the space for parties and play.
With such an inspiring start to this year’s tour I can’t wait to for you to see what’s next. This year I will spread the gardens over a few posts to give you as many photos and details as possible. Keep your eyes open for more gardens coming up soon–right now I am off to the UC Berkeley Botanical Garden’s spring plant sale!!
The Fresno Art Museum has been a well loved fixture in my community for many years, offering multiple exhibits annually and many opportunities for special events and education. The last couple of years, several friends and I have made a point to take in each changing exhibit whether it be sculpture, painting, photography, fiber arts or mixed media. A few hours in the museum followed by a fun lunch is a welcome respite to our normal daily activities.
One of the spring exhibits–Rethinking Fire–really struck a chord with me. It was not only beautiful to look at but also timely and thought-provoking in this era of increasing devastation to California by wildfires.
Multi-media artist Bryan David Griffith came to the pursuit of art full-time after an engineering education and a successful career with an international management consulting firm. He lives and works in the Arizona mountain town of Flagstaff, Arizona. In 2014, after the Slide Fire threatened his home and studio he was invited to study wildfire with scientists from the Southwest Fire Science Consortium and join a project entitled Fires of Change, sponsored by the National Endowment for the Arts.
In his own words from his Artist Statement for the exhibit Bryan tells us “In Western culture we traditionally view dualities–light and darkness, life and death, forest and fire–as opposing forces in an epic struggle of good vs. evil. We see ourselves as fighting nobly to preserve life and subdue death by taming nature to prevent unpredictable disasters like wildfires.”
Bryan’s art takes the position that these forces are not opposed but rather part of a continuous cycle. He proposes that by keeping fire out of the forest we have disrupted this natural cycle of life and his work seeks to provoke questions; finding solutions we can all work together to achieve.
The works Broken Equilibrium and Reconstruction, both from 2015 form the centerpiece of the exhibit.
Broken Equilibrium portrays both the dense overgrowth of today’s forest and the destruction wrought by today’s wildfires. The trees on the right, also seen below from another angle, came from the Observatory Mesa thinning project. The burned trees on the left of the spiral were salvaged from the Slide and Schultz fires.
You are invited to enter the sculpture and reflect upon man’s relationship with fire, with the broken natural spiral of life surrounding you.
A slightly different camera angle reveals Reconstruction in the spiral’s core. An old growth downed tree was sculpted by cutting and burning. It’s puzzle like form references in the artist’s words, “the works of scientists and land managers to piece together an understanding of history and restore climate resilience to forests before ecological disaster and human tragedy unfold.”
The smallest part of the exhibit can be seen in the background of the above pictures and was to me the most moving of the works displayed.
Each charred leaf in Requiem for Paradise, 2019, represents a life lost in the 2018 Camp Fire–the deadliest wildfire incident in California history in which the town of Paradise was literally burned to the ground.
The artist photographed smoky this scene in a forest near his home and printed the haunting image from film onto silk. The silk’s edge was burned and the small pile of charred remains placed below were collected from the scene where the photo was taken.
Rebirth was inspired by the regrowth of aspen trees in an area on the North Rim of the Grand Canyon which was severely burned in 2006. The natural life cycle of mixed conifer and aspen forests is that while dense conifers dominate the aspens, lacking sun, no longer thrive. When wildfire destroys the canopy and opens the ground to sun the aspens are quick to regrow from underground roots even though their parent trees have died. Conifers reestablish more slowly as so for a time the aspens dominate.
The aspen leaves in the piece are coated in encaustic beeswax and the cinders at the base are from the site of the fire. I love the way these leaves produced dancing shadows in the still and somewhat dim room.
The title of this work comes directly from a term firefighters use to fight wildfires by using fire. The piece alludes to the suppression of fire from 1910 until present. The forest life cycle is broken and unable to heal. The open space, created by cutting and burning this old growth timber, represents the loss of age old information carried by the hundreds of years old tree.
These art works were meant to make viewers stop and think about how modern culture views fire, attempts to manage forests outside their natural cycle and ultimately reaps the consequences. This is an exhibit you could stop in to see for a few minutes or spend several hours in thoughtful repose on the room’s bench, viewing from all angles and considering the artist’s intent. We hear about the most important issues of climate change and forest management almost every day from scientists and politicians–I was inspired by seeing these challenges through the eyes of an artist.