What a strange spring and early summer this has been. Typically April, May and early June are packed with both activity in my own garden and road trips to a whole litany of garden tours throughout California plus wherever else I can manage to get myself to. The Garden Conservancy Open Days have been a staple for me along with the Gamble Garden and Theodore Payne Foundation’s annual rambles in the Bay Area and Southern California respectively. For the last few years the Garden Bloggers Fling meetup has been a much anticipated few days touring beautiful gardens across the US and talking gardening with the eclectic group of folks who attend. I’ve taken my readers along on all these trips and scrolling back through my previous years’ posts you can see at least the highlights of these adventures. With the COVID-19 pandemic calling this year’s shots, we are all “gardening in place” to protect ourselves all those whose lives we touch in both small and large ways.
All this free time AND a new-to-me house and garden has kept me semi-permanently gardening in my head, surveying my new space and formulating one plan after another for changes I want to make. Longtime readers may remember we had JUST finished a multi-year turf removal and garden renovation project only months before we handed that garden over to a lovely young couple who may come to hate us mid-summer when the West Coast whack (see Doing the West Coast whack…) comes due. For the first time in our lives we are going to enlist some professional design help with our new garden, mostly in the hope that we can see our (my?) dreams come true in a little more timely fashion than we are able to make happen with our DIY efforts–the goal being to work a little less and enjoy a little more.
I’ve added a few bits and pieces to the existing tiny back garden to keep my trowel from getting rusty and just could not let the summer pass without taking a shovel to the small weed and clover infested strip of grass between our double driveway and our neighbors’ front garden.
I spent several days of just past dawn hours digging out the weeds and what remained of once viable turf. My neighbor advised he has been fighting an invasion of bermuda grass for several years and so I am sure I’ll need to be a vigilant digger for quite a while–I am well-versed in this task having just left a home with common bermuda lawns. My new best friends at now close-by Sierra View Nursery recommended their signature mix of river bottom sand and organic humus as an amendment. After lifting the existing drip lines, I dug about 1/2 cubic yard in to raise the grade and add a little lightness and organic matter.
Most of the plants I planned to add were divisions I had potted up and brought from the old house. The little bed is anchored by Prunus cerasifera ‘Purple Pony’, a dwarf ornamental purple leafed plum. This petite charmer performed really well for us in the Spruce back garden and I thought it’s dwarf nature would make it a good screening for the side fence and gate without overwhelmed the space. The burgundy tinged green foliage of Penstemon ‘Blackbird’ will play off the tree’s leaf color.
Roses will be few and far between in this new house as I have tired of the needed care to keep them looking their best but I fell for a shrub rose called Eyeconic™ Mango Lemonade from Star Roses, seen below in this photo taken before planting.
The softer orange tones–peach, apricot–seem to work really well with house’s stucco color. The house color–not for the faint of heart– is more pumpkin than it appears in the photos and is the basis for a garden palette of soft oranges, medium blues and burgundy I’m focused on.
Also included are Agapanthus ‘Sapphire Storm’ and Salvia jamensis ‘Sierra San Antonio’, the last being a twiggy little salvia with bi-color pale peach and golden yellow blooms.
Both white and dark blue bearded iris division have been healed in. They are from a group that seemingly lost their labels in the move. Their home may be temporary should they turn out to not be the colors I think they are!
Lastly, three each Agastache ‘Orange Sunrise’ and Hemerocallis ‘Primal Scream’ will add a little explosion of color–the Agastache, below, is one of the smaller ones and very attractive to hummingbirds.
June would never be my choice of timing to plant a new bed in Central California and from day to day things have looked a little peaked but at least I feel as though my gardening itch has been scratched a bit. Fingers crossed that all will make it through the heat of July and August!
In the many years I lived in Southern California I never visited The Huntington Library, Art Museum, and Botanical Gardens in San Marino just north of Los Angeles. An overnight road trip to attend two educational lectures in the LA area, one at Rothenburg Hall on the grounds of this sprawling 120 acres of specialized botanical gardens, offered me a very brief window to view a small part of the gardens. The Huntington Library is a collection-based educational and research institution established by Henry E. and Arabella Huntington. The institution also has an extensive art collection focused on 18th and 19th century European art and 17th to mid-20th century American art. When I say hot minute, I mean just that. I arrived at 1 pm, about 45 minutes before the lecture was to begin, and it was 92°! Fortunately I had checked the weather forecast before leaving my Central Valley home where temps have been comfortably in the 60s and 70s–which is pretty warm for us in mid-November.
Knowing I would not be able to do the world renown Japanese and Chinese gardens justice and that the Australian and Desert Gardens were a pretty good walk away, I stayed close to the Education & Visitor Center and took in what I could. To experience all the themed gardens and see the art and science exhibits to boot, I think all but the most casual visitor probably needs 2 full days and then to visit again at different times of the year as the scenery is ever changing.
The 6.5 acre Brody California Garden fills an allée central to the Education & Visitors Center. My map tells me that my lecture hall is reached through the Rose Hills Foundation Garden Court so I locate that first to get both my bearings and my time frame available for wandering in perspective. The California Garden is home to 50,000 California native and dry climate plants, reflecting the area’s Mediterranean climate. The purple emerging foliage on the silvery Acacia baileyana ‘Purpurea” is reflected in its name.
At the end of the olive allée, the garden transitions to the historic core of The Huntington property.
The Celebration Garden greets visitors with a shallow stream of recirculated water that empties into a rectangular pool. Plantings here, including those in pots, negate the common belief that drought tolerance equals dry and dull. Vibrant salvias and lavenders plus the varied hues of succulents, large and small, offer a riot of color.
Just beyond the Celebration Lawn is an outdoor installation which inaugurates the new /five initiative at The Huntington focusing on creative collaborations with other organizations. NASA/Jet Propulsion Labs is the first of five partners (over 5 years) and the project’s them was drawn from The Huntington Library’s aerospace history collection.
While standing in the middle of the pavilion, visitors hear sounds which represent the location of 19 NASA satellites orbiting and observing Earth’s surface, biosphere, atmosphere and oceans. NASA satellites say “hello” as they move across the sky by pairing the live trajectory data of each spacecraft to artistically created sounds. You can find extensive information about this unique installation and the initiative at http://www.huntington.org/orbit.
At this crossroads I elected to see the more European inspired gardens surrounding the original mansion, leaving the palms and their friends for another trip.
Native to the dry regions of Argentina, the trunk of the white silk floss tree (Chorisia insignis) stores water in its bulbous, spiny trunk. At first I wasn’t sure that the flowers were actually part of this tree rather than a vine which had scrambled up it willy nilly.
As you would expect of a home from this era, plantings of mature mixed shrubbery wind among broad expanses of lawn.
The 3 acre Rose Garden was originally created in 1908 for the private enjoyment of Mr. and Mrs. Huntington. It now contains more than 3,000 plants and 1,200+ different cultivated varieties. This arbor covered pathway leads to the Japanese Garden.
Rounding the house through the Rose Garden the expansive raised back terrace comes into view. The floribunda rose seen in the lower left is ‘Huntington’s 100’, named in honor of The Huntington’s Century celebration being held throughout 2019.
Huge hibiscus shrubs were tucked up against the house and still sporting their bright tropical blooms a month before Christmas.
Back almost full circle from the little garden where I started (you can glimpse it through the columns on the left) is this lovely covered area with a panoramic view of the grounds on two sides. Closing my eyes, I can see this exquisite space at dusk bathed in candlelight with gracious ladies in long gowns and men in tuxedoes milling about with brandies in hand, enjoying the coolish night air.
With the lecture time drawing near, I quick walk back to the glass domed garden court. It is fabulous inside with the air somewhat cooler and many places to sit for a bit.
The program begins only moments after I get settled into my seat in the adjacent auditorium.
James Brayton Hall, Chairman & CEO of the Garden Conservancy is speaking on America’s Outstanding Gardens as part of a quarterly lecture series sponsored by the California Garden & Landscape History Society. Although this organization is new to me, I have been a member of the Garden Conservancy for many years and attend as many of their California Open Days as I can fit in each year. Look back at my post A little Mendocino madness… for a look into the work of the Garden Conservancy or go directly to their website http://www.gardenconservancy.org for information on their mission and programs.
Mr. Hall’s slideshow featured photos of and commentary on many of the gardens that the Conservancy has helped to preserve for the benefit of the public, as well as his thoughts on what makes a garden outstanding and how the Conservancy goes about its preservation efforts. Of special interest to me were the historical perspectives on two of Garden Conservancy’s ongoing projects: the Gardens of Alcatraz and the Gardens at Palmdale in Fremont, CA–both on my road trip wish list. We also got a video introduction to a new project they are calling the Garden Film Documentation program. Short films are being produced telling the stories of gardens which have been the focus of the Conservancy’s preservation efforts. So far two have been produced and you can see a trailer for the film on the John P. Humes Japanese Stroll Garden in Short Hills, NJ on the website. Check it out!
So much more to be seen at The Huntington than the small part I toured today–I always like to find out about the people behind these fabulous properties enjoyed by the public on a daily basis and I’ll try to do that before I return. I can see that each of the major themed gardens will be deserving of its own post. Reading about them beforehand helps me to not miss any of the high points because I’m caught up in the wonder of each new plant combination or fanciful garden structure.
Tomorrow I’m off to see the Virginia Robinson Gardens in Beverly Hills and hear Tim Lindsey speak on Re-Wilding Your Garden–focusing on creating a garden with plants for wildlife, pollinators and people. This is a garden I’ve been trying see for years and have no idea what to expect from this 6 acre property in the heart of the city. See you soon!
The last trip to our cabin in Fish Camp near Yosemite National Park had a few hours for leisurely walks and Yatzhee! on the wraparound deck but was mostly about accomplishing chores necessary for the coming winter. We take the removable snow rails down from the deck and pull out the painted plywood snow doors for installation on two of our three entry doors. With central heat and a nice wood stove, we make use the cabin every few weeks throughout the cold season. It’s impossible to know whether we will have 10 feet of snow or none at all and so the smart money is to be prepared for whatever comes well in advance the the first icy flakes.
In my 2018 post Dogwood day…Memorial Day I featured bloom photos from the lone Cornus nuttalii, Pacific dogwood, on our property. I’ve since found that we have one other but certainly that’s not really the making of a dogwood forest, especially when the spring blooms bursting out along the highway to our place have almost a wedding like feel. On this visit the dogwood’s leaves are starting to show their fall color.
Shaded by a high canopy of cedars, firs and pines it is a little hard to see the russet and purple tones creeping in.
I got pretty excited when I saw a number of seed clusters well within my reach–maybe I can grow my own little dogwood forest! I texted my native plant mentor Ann for counsel and spent a bit of time on a few California native plant propagations sites to get a sense of the best way to go. The consensus was that directly sowing the seeds would probably be more successful than trying to start in pots. I was amazed to learn that germination could take up to 18 months!! Seed collection is #1 on my to-do list for our next trip–hopefully I won’t have missed my window of opportunity.
Number one of this trip’s list was to take care of our wood supply for the winter. We are able to cut firewood every year in specific amounts and from designated locations on public lands with US Forest Service permits. Every couple of years we supplement that supply with a load of cured and cut almond.
In preparation for the new wood we shift the older wood remaining on the second set of wood cribs to the front one, making a nice open space for the new wood to be delivered. Even with two sets of hands this is a several hour job.
The weight of the wood truck (this one hauling 4 cords of wood stacked in the bed with vertical partitions separating each cord) dictates that the wood must be dumped at the TOP of our year old asphalt driveway–the truck could come down but would never be able to get back up!
Our wood moving method involves Dave backing up our truck to the pile. We then fill up the bed, drive the truck down the hill and back it up near the wood cribs and unload it into another pile…three times. A strong motivating factor is that we cannot drive off our property until the wood is moved.
Then that big pile gets stacked onto the empty crib. The whole process takes about six or seven hours. Dave is strong and I am slow but steady. I am not sure I would have survived “the olden days”. He always gets the honor of placing the last log. With every stick tucked in its spot both piles get tarps and bungee cords to keep the wood dry. We use these two wood storage stacks to refresh the smaller wood supplies kept closer to the cabin. I am here to tell you this work makes even the most strenuous garden tasks seem lightweight!
Fall can be sort of a moving target in California’s Central Valley. Some years we pull out our hoodies in mid-October and others find us Christmas tree shopping in shorts. We are not without seasons–just not sure when to expect them to change throughout the year!
Whenever it gets here, fall is my favorite season in the garden. It is certainly not the most attractive as many plants, even those not naturally winding down their seasons due to shorter days and longer nights, look pretty peaked from the ravages of the hot and dry summer. Fall is the season symbolizing another year of work well done in the garden with a little time for reflection, planning and rest on the horizon. Our short, relatively mild winters make attention to the garden in fall even more critical.
This year our spring was cooler, longer and wetter than average and the summer days in the triple digits were fewer than many years–all in all a summer worthy of rejoicing. That being said, as I write this post temps for the next few days range from 89° to 98° with a definite cooling trend into the 70s at week’s end. The last couple of weeks we have had cooler early mornings well suited to getting going on fall garden tasks and some light winds which seem to have made the mosquitoes less active–always a plus.
Last year every available gardening minute from September through the end of the year was devoted to the last phase of the front garden’s lawn removal/bed replanting effort. The back garden was left to fend for itself–roses were never pruned, perennials not cut back, winter annual weed pre-emergent never scattered, and humsy mulch never refreshed. I think you get the picture…
Like the 5 year old who feels neglected amidst the excitement of a new baby in the house, my back garden has both pouted and gone wild. It’s time to get back to a more normal rhythm for both gardens and see what can be refreshed (or just plain salvaged) in hopes that after a little winter’s nap it will reward me with another year of fresh foliage or bright blooms.
First on my hit list are the vigorous clumps of Viola ‘Royal Robe’ which have all but taken over the shade bed adjacent the back patio. Below you see some of the smaller clumps nestled up against Helleborus x hybridus ‘Double Queen’ and Geranium ‘Brookside’
The hellebores can hold their own against this thug but many of the bed’s less substantial ground covers like the lime green foliaged Campanula ‘Dickson’s Gold’ are all but lost. Don’t get me wrong–I love the violets. I generally thin them drastically in the early fall as they are ready to reseed with the goal of keeping enough in the bed to enjoy the flowers without them turning into the playground bully. Without last year’s thinning, they reseeded prolifically and just about every open space in the long bed looked just like the above photo.
It took me about 9 hours spread over several days to dig out every clump, large and small, figuring there was enough seed already dropped to have gracious plenty come back next year. Each one of the seed pods forming at the base of the plant contains dozens of seeds and I swear every single one germinates in this bed which stays relatively cool and moist. The clumps, even with the dirt shaken off the roots, filled almost four trash cans.
I also trimmed back the sun scorched maidenhair ferns, cleaned up the iris foliage, trimmed off any hellebore foliage with snail damage and pulled off all but the freshest foliage from all the hardy geraniums. All that turned up soil resulting from the violet digging begged for a layer of enriching humus to be dug in. A light dusting of granular pre-emergent seemed warranted to minimize germination of any seeds churned up to the surface.
Dave did the heavy digging and lifting to remove two huge clumps of Dianella tasmanica ‘Variegata’ from behind the rocks of the pool waterfall. They had originally been planted flanking the rock work in 2011 but quickly proved to be incompatible with that full southern sun location. Absent any other place to put them I dug them in behind the waterfall where they got a little shade from the boulders. When I later added some climbing roses to the fence they provided a nice foliage contrast at the base of the climbers–even though I was really the only one who even knew they were there! Fast forward to 2019 and the clumps are so large I have lost all ability to even stand at the base of the roses (wedged up against the back of the waterfall!) to do routine maintenance…and the dianellas, commonly called flax lilies, are still in too much sun to have pretty foliage. The plan was to dig them out, divide and replant in shadier locations.
Dave moved the first one into the shade of the pavilion for me and I set to pulling it apart! This one yield over 60 divisions–plenty for me to replant in my yard and pass along to gardening friends. Much of the literature about dianella indicates that they can be invasive as they spread by underground runners. My guess is that they probably need to be in good rich and moist soil to become a pest. Although my clumps grew quite large over many years each was very compact. The striped foliage of this species makes a nice contrast in areas of predominantly green foliage. Flax lilies bear small clusters of starlike blue flowers, followed by bluish purple berries, on narrow stems held above the foliage–not terribly showy. In a shady area of the replanted front garden I have added a grouping of Dianella ‘BluTopia’ which is a hybrid of Dianella prunina ‘Utopia’ and Dianella caerulea ‘Cassa Blue’–it will be interesting to see how this cousin of ‘Variegata’ will perform in a moister, shadier area.
Each of the back gardens beds in turn will get a little love over the next few weeks. Working early in the morning and in easily managed chunks of tasks I hope to get through everything needing attention by mid-October.
This small poolside bed anchored by a ‘Purple Pony’ ornamental plum needs only a light deadheading of the pink Sunblaze® miniature roses and ground hugging purple Salvia ‘Gleneden’ PPAF. Several large clumps of Aristea ecklonii on the far side were groomed soon after their early summer blooms faded. They are aggressive reseeders and I have learned to remove the spent flower stems religiously after a few seasons of digging scores of volunteers on my hands and knees. Almost done here–I’ll be on to the next bed soon!
I hope you are all enjoying your almost fall gardens–whether you are blessed with actual autumn weather or are just in a fall state of mind.
THE GARDEN OF ROB PROCTOR AND DAVID MACKE IN DENVER
A few months ago my husband outlined the inspirational message he was to give at our youngest son’s wedding to his long-time love on a polka dotted cocktail napkin–you can actually see the napkin in his hand in the photos taken of him with the bride and groom at the altar. In the garden notes about Rob Proctor and David Macke’s phenomenal garden, I learned that 25 years ago Rob drew a layout of the garden on a cocktail napkin as he and David celebrated the closing on their new home. The cocktail napkin’s role in new beginnings and big decisions is starting to take on new meaning for me!
Rob and David invited us to enter their back garden through their 1905 brick home which displays an eclectic collection of David’s antiques and Rob’s watercolors. Rob Proctor is part of Denver’s horticultural royalty. He is a past Director of Horticulture for Denver Botanic Gardens and has written sixteen gardening books on topics from cutting gardens to how to create beautiful gardens on a shoestring budget. Rob has written for the Denver Post and is the resident gardening expert for Denver KUSA-TV. He is also a noted botanic illustrator and watercolor artist. This garden has been featured in many books and magazines and is open annually in August (at its peak bloom) for the Proctor’s Garden tour which benefits a local nonprofit community-based animal shelter/humane society.
A Denver Garden Bloggers Fling would not be complete without a chance to see Rob’s garden. Caveats to this post which simply does not do the garden justice, even in its first few weeks of the season; you get the light you get based on the time of day we are scheduled to be in any given garden and MY photography skills can’t do much to alter that; we have about 35 minutes in any single garden to not just take it all in but also photograph it. If you are a YouTube viewer, there are multiple videos over several years of this garden, several including interviews with Rob. Especially engaging is a June 18, 2019 YouTube upload set to music by fellow Flinger Janet Davis who blogs at The Paintbox Garden–unfortunately my platform doesn’t support links to video but any of the videos can be found by Googling. Your search engine will also offer you a series of Rob’s own video clips at http://www.9news.com on a variety of gardening topics. All of these are worth watching.
On with the show…
The brick patio opens to a series of very long and lush perennial borders within a formal structure “walls” provided by brick columns and lathe fencing. The garden’s folly is the visual focus from the seating area and draws the eye to the into to the depths of the garden.
The parterre herb garden as viewed from several angles. Again, Rob has used formal structure but let the plants fill it in a blowsy, live and let live fashion. The herb beds are actually sunk below grade to collect water in a technique employed by the Native Peoples which Rob describes as the way a waffle collects syrup.
The gravel allee is actually the old driveway, now transformed into a long border completely composed of pots. This is perhaps a good place to note that this garden is home to over 600 planted pots. that’s 6-0-0! They are small and large, tall and squat, mostly but not all blue or terra-cotta. Holy moly–I’m doing well to not let the ivy left behind in last year’s abandoned container croak over the winter…
The next border over–they all extend from the back of the home sort of like tines from a fork–is quite shady due to the tree cover directly behind the herb parterre but chock full of emerging perennials. Pots of color are placed in the borders to add pops of interest at strategic spots.
This magnificent plant that is sited on both sides of the border at its sunnier end (look to the very end of the lawn strip in the next to last photo for the billowy clouds of white) was the subject of much interest to many of us–finally identified as Crambe cordifolia, sometimes referred to as giant sea kale. It sort of looks like airborne baby’s breath floating six feet in the air. Even in a smallish garden it could be used as the backdrop for other more colorful perennials and annuals.
The white lathe folly at the end of the center border is filled a variety of containers potted up with succulents, ferns, tropicals and houseplants needing a little protection.
Remembering that this garden is just now in its opening weeks of Denver’s relatively short growing season, I am not sure I can imagine all 600 of the pots bursting with blooms at the peak of the season.
The central border is alive with bright and dark foliage colors and many blooms. While more is not yet quite blooming than is, the overall effect is staggering. Another plant drawing a bit of attention is this huge leafed perennial which is present is all the borders in various stages of maturity. Several Midwest gardeners recognized it right away and referred to it ask hogweed, cautioning unwitting novices like me not to touch it! David Macke identified it for us as Heracleum maximum, commonly called cow parsnip. It is a genus of about 60 species of perennial herbs in the carrot family. Apparently it can deliver a nasty rash if you handle it and then the affected areas are exposed to sunlight.
The most Westerly border ends in an arbor leading to the vegetable garden which spans the entire back of the property, mostly shielded from the view of the more ornamental borders.
I am practically on a dead run from the far back veggies to the house as last call for the bus is made-fortunately I am not alone!
The lush back garden Rob and David have planted, nourished and nurtured over 25 years after its initial plan was rendered on a cocktail napkin was beautiful on June 18th, the day of my visit. I expect that each day of its season, while different, is equally as stunning. Layer upon layer of plants will come and go through out the borders, beds and pots, rewarding anyone who is lucky enough to spend even 35 minutes amongst them. The “bones” and fundamental framework planned out on that cocktail napkin have made it possible for diverse plant materials to flourish in both contrast and harmony with one another–bits of interesting chaos resting safely in the arms of the garden’s structure. The message David delivered to the soon-to-be newlyweds was one of building a framework of confidence in one another through caring and communication. The goal being a relationship in which both can flourish individually and as partners, in times of contrast and harmony, but always in a safe space. Didn’t think you could get all that on a cocktail napkin, did you? A huge thank you to Rob and David for their generosity in sharing their garden with us on this day.
Six hundred tons is the tally for the Colorado sandstone used to build the walls, ponds and waterfalls in the garden of Tatiana Maxwell. This post will be photo rich–every time I went through the 75+ pictures I took of this beautiful and peaceful property trying to decide what I could eliminate…well, you get the idea!
The Maxwell home is on about 1/2 acre corner lot in the Old North Boulder neighborhood and was completed in 2010. Tatiana’s original vision for her garden was a more traditional English cottage garden but brainstorming with a friend, Thea Alvin of myEarthwork and local permaculturalist Marco Lam opened her eyes to more possibilities. Even after reading a bit about permaculture I am still not sure what its principles are but here’s how I’m going to sum it up: using perfect plants for the climate and only what works in the local environment and cultural conditions rather than starting your design process with the plants you want to use and trying to adapt your site and cultural habits to them.
We started our ramble on the driveway. I will admit I had been in the garden for almost 30 minutes before I realized there actually was a front door. I thought she had no back garden even as I was actually already in it. Let’s just walk right up the driveway which runs from street to property line near the back of one side of the lot.
Between the guest house/greenhouse and the fenced vegetable garden is the family’s handy bike storage. Tatiana’s plan was to create an urban oasis where she would be “cocooned in nature.”
The two vegetable gardens produce a broad array of vegetables through three seasons. There are also fruit trees and berry bushes plus a couple of fig trees which live in the greenhouse.
The garage is tucked on the east side of the driveway with a detached studio then nestled between the house and the driveway, a narrow walkway separating the two. As with the greenhouse and gardens no detail was spared on this charming little building.
This colorful trio lights adds interest to a very narrow planting space between the studio and the driveway. I believe the upper left is a contorted filbert, Corylus avellana ‘Red Majestic’; upper right is one of the lime leafed barberries; below them is a red hot poker plant.
The front door of the studio is protected by a unique glass and iron awning. The door frame has this southwestern influenced tile work and the same rustic wood found on the window frames.
Yes, it’s true that I’ve been basically hanging out on the driveway til now. Let’s dive deep into the garden!
Tatiana Maxwell wanted to have a garden space in which she could host events for causes she is passionate about and the broad lawn provides ample space several hundred people to be seated.
The entire south side of the lot is enclosed with a massive very high stacked stone wall which turns the corners on both the east and west sides, allowing for several elevations of planting places on the interior of the walls. These beds are lushly panted with a variety of foliage colors, shapes, sizes and textures.
I literally stood mid-lawn and turned 180 degrees right to left to photograph the interior borders. They are well kept but not fussy–looks to me like a gardener who likes to be out in her garden snipping and picking here and there.
It was not until I had walked out far enough to take this photo that I recognized that this patio was not the front of the home–that we had actually entered at the back of the property.
I love this somewhat understated front entrance into a home which I’m sure is very large and beautifully appointed. It says to me that this home is about Tatiana’s connection to her family, garden, neighbors and friends rather than that she needs a “grand entrance” to make a statement about who she is to those who don’t know her. Again, old world and international details set the tone.
It’s time to walk back to our buses, still parked by the driveway. Now I get to see what I would have normally taken in first on any garden tour–the street view. Behind its stacked sandstone walls, Tatiana’s home is virtually invisible except for a the space open to the lawn on the east side.
I found both this home and its garden very appealing. I have never seen so much rock in any other garden anywhere but many lush plantings soften it throughout. Equally suited to a young family or empty-nesters, this property could meet most everyone’s desire’s for ornamentals and edibles plus a wide swathe of lawn. Gardens that look so casually beautiful are not without maintenance but the permaculture nature lends itself to the need for less water, less fertilizer and lower energy requirements. Every garden requires maintenance and I think working in this one would be a great pleasure.
Mary and Larry’s rural Niwot garden occupies about a quarter of their 5 acre lot. With roads on two sides of their property and fields on the other two, you couldn’t ask for a more serene location. Unless you could also have an unobstructed view of the Rocky Mountains–did I mention that they enjoy that also?
Adding to their sense of privacy, a long driveway well treed on both sides brings us to their neat 70s ranch home. Mary notes in her garden profile that they started their garden in about 2011 challenged with bindweed, thistle, quack grass, dying aspen trees and clay soil. I don’t even know what those first three things are but I’m sensing they are not good.
The barn takes on a quasi desert look with this colony of shapely yuccas. Larry recounted that plants in this group have all descended from a small one he found out in the field and stuck in the dry ground. When asked what species of yucca they were (as garden bloggers do) he replied dryly, “field yuccas”.
This sprightly little pine had a spot just at the end of the field yuccas. It is one of the lodgepole pines, Pinus contorta ‘Taylor’s Sunburst’ and should reach 12 ft. high and 8 ft. wide and sports those new bright yellow needles for about two months each spring. Although this pine was new to me it would not be the last time I saw it during my Denver stay.
Mary’s front porch adjacent plantings were colorful and traditional–roses, salvia, and a number of other low fillers not yet in bloom.
It was impossible not to gawk at the exquisite woodwork around the front door, not at all usual for the style and age of the home. Larry shared that one of Mary’s many endeavors had been dealing in European antiques and that this piece was from a French cathedral.
The garden slopes down at the end of the home and as we descend the stairs, Mary’s numerous fairy gardens, both sun and shade, come into view.
At the northwest corner of the garden work began in 2011 to add privacy from the road and increase bird habit. The design was done by Lauren Ogden Springer, an internationally known garden rock star who lives and gardens in nearby Ft. Collins. She and her husband, Scott, have written two books together: Waterwise Plants forSustainableGardens (Timber Press 2011) and Plant-Driven Design (Timber Press 2008). Lauren also authored The UndauntedGarden: Planting for Water-Resilient Beauty (Fulcrum Publishing 2011). She is currently overseeing the planting of a newly designed public garden named the Undaunted Garden at The Gardens at Spring Creek which is on our tour itinerary. The Scripter privacy screen contains over 60 trees and shrubs planted with the help of their backhoe and 600 blue grama and little bluestem grasses. To deter the weeds and keep the new plantings moist they were covered with free mulch from tree contractors. Now established, the area is only watered about four times per year.
In 2012, Larry prepped the area behind their home which was destined to become their own personal prairie meadow using 800 pounds of alfalfa pellets and 10 cubic yards of compost, working it into existing clay soil with his tractor. With Lauren Springer Ogden’s meadow design in hand, Mary spray painted the ground, laying out the matrix of plants, section by section.
From Mary’s garden profile, “Over a period of three weeks, we planted 1,800 plants, including 70 types of perennials, shrubs, native wildflowers, and 13 types of grasses. In the fall of the same year, we planted 1,500 bulbs–daffodils, camassias, tiger lilies, eremurus, gladiolus and various alliums plus many flowers for cutting.” Using a shovel and a wheelbarrow, Larry spread 25 tons of pea gravel around all the precious plants to deter weeds from the hayfield and retain moisture. They had realized their goal of having a prairie meadow with a view of the Rockies.
Keep in mind that this meadow was covered with snow a short three weeks ago. While it is mostly green now, it has many diverse plant colonies which will come into bloom throughout the summer and probably reach its peak in August.
This prairie meadow under the big Colorado sky lies not much more than a hay field away from the Lagerman Reservoir. Mary had laid out several bug spray options for us on the deck and you only had to venture out into the meadow to understand why–it was swarming with mosquitoes. Many of us, including me, just weren’t able to spend much time photographing plant groupings because you couldn’t stand too long in one spot before they found you!!
This striking bird bath was one of my favorite meadow elements. Mary shares that the ever changing meadow landscape is full of life year-round, including hundreds of birds. The entire meadow is a certified Pollinator Habitat, feeding wild bees and the bees from neighboring farms.
Viewing the meadow from the southwestern end of the back garden. This area is shaded and planted with many traditional shade loving species.
The shaded back deck is perfect for relaxing and enjoying the view of the meadow and the Rockies beyond.
The back deck bears witness to another part of Mary’s collecting life when she dealt in cowboy and western items. This vintage Americana seems just right for Colorado decor.
This delightful photographic essay on the meadow development which also included photos of the Scripter’s family and friends was available for us to enjoy.
Although the meadow is now well established, the Scripters concede that no garden is ever done. A meadow this size requires significant maintenance with weeds, weather and critters all being unpredictable factors from year to year. Regardless of the work involved to maintain their stunning long range view from the meadow to the mountains, they express that they are very grateful to live here. I am very grateful that Mary and Larry were willing to share their garden with us.
Hello friends! In the short 32 hours since visiting the High Plains Environmental Center (In a daze near Denver…High Plains Environmental Center), the traveling Garden Bloggers Fling 2019 participants have toured nine private gardens, one public garden and the home of Botanical Interests, a family owned seed company known to gardeners across the US. All were in the communities outside of Denver proper. Tomorrow, on our last full day of touring we will stay closer into the city visiting the Denver Botanic Garden and one of its extensions, Chatfield Farms plus six more private gardens.
With over 500 photos to sort through already to do each garden justice, I am going to tease you with just one snap of each garden–sort of a postcard from me to you just to show you what I’ve been doing on my vacation. Each garden will get a full post over the next few weeks.
THE GARDENS ON SPRING CREEK IN FT. COLLINS
THE GARDEN OF JAN AND RICHARD DEVORE IN FT. COLLINS
THE GARDEN OF CAROL AND RANDY SHINN IN FT. COLLINS
I am going to end the Garden Conservancy Open Days East Bay posts with a bang as I take you to the home and studio of renowned painter, sculptor and garden designer, Keeyla Meadows. You’ve met Keeyla and seen some of her garden design in my posts Easing into the East Bay…fearless color and Digging Deeper with Keeyla Meadows at Urban Adamah…. If you’ve not read those posts, make sure to go back to them as a chaser for this visit. I am not sure you could ever get too much of Keeyla–from her cowboy boots and headful of springy curls to her color rich garden and whimsical sculpture she revels in her life filled with art and nature.
KEEYLA MEADOWS GARDENS & ART IN ALBANY
Keeyla makes her home and some of her art in this 1910 wood framed bungalow on a small lot in a cozy neighborhood where I imagine everyone knows everyone else and someone probably periodically drags their grill out front for a block party. There is no doubt that this colorful house is the home of an artist! Keeyla works in many mediums–bronze, paint, ceramics and of course, plants plus all the other elements which enhance gardens. Her uninhibited use of color makes her gardens giant scale works of art.
Gardens themed with the use of saturated color are like living color paintings!
Keeyla has changed the dynamics of her once flat front garden with huge slabs and boulders of native stone which she used to create drama and additional square footage in a small space. Rocks add stability and the varying elevations add interest. In addition to the time I spent in Keeyla’s garden on my own, I took part in her Digging Deeper presentation along with about 25 other tour goers. The walking workshop opened our eyes to her design process and how to translate our personal color preferences into tangible form in our own gardens. I’ll try to weave bits of that workshop in amongst the garden pictorial. The exuberant gardening lady above is one of many figures created by Keeyla throughout her garden.
A bronze couple bids you welcome and marks the way to Keeyla’s back garden. This would be a good time to buckle up!
As the space opens up the raised porch leading to Keeyla’s door (she doesn’t use the front door!) is to the left and on the right this small roughly circular patio area sports an Alice in Wonderland glass table and fairytale benches for casual dining. Several of the huge boulders found in this area were originally destined for further back in the garden and if the crane man could have gotten them over the house to place them Keeyla would have been able to have the larger friends and family outdoor table and chairs she longed for. The boulders in their current placement form a sort of second story planting opportunity–taking the plant materials up in layers.
The side wall of the small garage offers a backdrop that invites this fanciful gardener to join in any group gathered around the table.
Just a step away is an ornate forged arch…
…and another of Keeyla’s fanciful bronze sculptures.
Looking back from the arch, the checkerboard porch leads to Keeyla’s kitchen where she was preparing a special snack for her Digging Deeper participants.
Let’s stop my own ramble for a moment to peek in on parts of Keeyla’s Digging Deeper workshop.
Because our group was quite large and there were still many visitors in her small back garden Keeyla gathered us up and we stepped across the street to the driveway plant sale captained by master plant propagator Susan Ashley. She began the discussion by throwing out the question, “What function do you want your garden to serve in your life?”, and many participants voiced hopes specific to their own spaces including: respite, recreation, dining, entertaining, growing food, providing habitat for wildlife and making an appealing environment for pollinators. Keeyla used plants from the sale to make suggestions filling various roles in the garden.
I think I’ve already convinced you that Keeyla loves a big rock–not just for defining spaces, creating visual interest and multiplying available planting space but also for a good podium from which to address us all. What is not really visible either in this shot or in similar ones at the beginning of the post is that Keeyla has placed HUGE squarish slabs of rock almost directly against the railing (or maybe wall?) of her front porch. This once very flat front yard has tremendous dimension now and is home to hundreds of plants. The curb appeal of her bungalow is not the structure itself, but the garden which almost obscures it. She is in the gradual process of changing over the plant materials in the front garden to emphasize natives and already many of the reseeding native annuals are making their presence known.
We take a few step walk to what was once her driveway, now home to many large planters of edibles which are favorites of the neighborhood children, then we take the back garden by storm! Keeyla explains that each area of her garden has a color theme and that she designs using a tool she has dubbed as a ‘color triangle’, sort of a reinvention of the traditional color wheel. Keeyla has written two books: MakingGardens Works of Art (Sasquatch Books 2002) and Fearless Color Gardens (Timber Press 2009)–it is in Fearless Color Gardens that she lays out the color triangle process as a tool to create both harmony and contrast. She challenges us to select a color–red, blue, green, yellow–and walk through the garden gathering flowers and leaves in all tones and variations of that color.
Not the greatest photos in a small space filled with many participants (and quite dark with the red painted ceiling!) but we lay out our gatherings using red, blue and yellow as the triangle’s points, then layering in the combinations and gradations as on a color wheel. The flowers were a great visual to see how color combinations can create both harmony and drama in your garden.
Our garden findings made a great backdrop for the lovely mixed fruit tart Keeyla had made for us along with several other healthy bites. I didn’t think to take any photos of them but we ate our shared meal on a variety of Keeyla’s one of a kind original plates in all colors and designs.
An exquisite forged arch dripping with delicate angel’s trumpet blooms stands in tribute to the living plant barely seen to the right. This was perhaps my favorite piece in the garden–delicate and organic. I would love to have an arch like this over my half height interior garden gate.
A raised path just beyond the beautiful arch leads to one entrance of Keeyla’s garden art studio and its yellow and purple themed garden.
These last six photos from the yellow and purple garden where taken by simply standing in place and making a 360 degree circle–it is a very small area but packed with plants of all textures and sizes–each chosen for its ability to contribute to the color theme.
Leaving the studio through French doors which face the interior of the garden there is a rock waterfall whose ‘banks’ are canvases for arrangements of huge filled pottery and all manner of blooming color. The pink and purple bench offers a spot to not only relax but view the design from uphill looking down.
Hands down my favorite part of the garden–possibly because my color preferences tend to not be as bold as Keeyla’s and more so that she designed this pastel corner in memory of her mother who taught her about flowers and encouraged her interest in the natural world. The hues of the lavender, pink and yellow mosaic bench are echoed, in larger scale, in the mixed media floor beneath it. This garden room lies directly behind the bungalow and is visible from her kitchen window.
Keeyla Meadows believes that gardening is an act of gratitude–appreciation for all that nature has given us. Her reverance for the natural world and acknowledgment of how small a part each one of us plays in the whole is expressed in her garden and her art. She is young at heart, exuberant, and generous with her skills and talents. I aspire to having a piece of her work grace my garden and it would be all the more special by having spent a little bit of time with her at both Urban Adamah and in her own personal space. What could be better than a gallery in a garden?
Keeyla’s website http://www.keeylameadows.net has many close-up photos of her art in all her mediums plus gardens she has designed. I encourage you to visit it whenever you feel the need of a smile that you can’t seem to come to on your own! Contact Keeyla at email@example.com if you would like to make arrangements to see her garden in person next time you are in the Berkley/Albany area. Please note this a correction for those who may have read the original post a few days ago–Keeyla’s garden is no longer open on Sunday afternoons as stated on her website.
NOTE: those of you who have been counting the Garden Conservancy Open Days East Bay posts will know I am one short, having presented only four of the five. I am going to keep the last one in reserve for a dry spell when I am not traveling anyplace interesting and my own garden is not worth writing about. Tomorrow I am off on a road trip with garden girls Ann D. and Glee M. to Greenwood Daylily Gardens in Somis, CA. Wednesday next I fly to Denver for the Garden Bloggers Fling in Denver, Colorado–three and a half days of non-stop private and public garden touring with lots of food and fellowship mixed in. Having only been stranded in the Denver airport in a blizzard and never actually in the city I’m taking an extra day before and one after to allow me to see as many sites as possible. I’m gonna be in a Denver Daze…I’m sure.
When the Garden Conservancy Open Days Directory arrives in the mail each April I can’t wait to read through the descriptions of the gardens included on any of the California days which I have already penciled in on my calendar. This garden preservation non-profit offers regular gardeners like you and I entre into beautiful private gardens to which we could never hope otherwise to have access. I don’t know if each garden’s preview paragraph and title are written by staff or by the homeowner but they always offer highlights not to miss and often historical information which enhances the visitor’s experience in the garden. Rarely are the profiles overstated–in the case of this third garden on my whirlwind Saturday in the East Bay–the title, at least, was understated. We all should be aging as gracefully or have lived as colorful a life as this garden has.
Having no real familiarity with Berkeley I was unaware of the the Hotel Claremont and its role in the development of the well-heeled, quiet residential streets which surround it. As I entered the area from south of the hotel I did not even see it until I had left the garden and then, having caught a glimpse as I was making a left turn, had no way to even take a quick photo for those of you who do not know it. I found this unattributed photo below to give you a flavor of its style.
Let me briefly tell you the tale of the home which this next garden graces as a way to set the scene to view that garden as it is today.
The Claremont Hotel was built on land formerly known as the Palache and Garber Estates, high in the Berkeley Hills. The vision was for a tourist hotel surrounded by 14 acres of park-like gardens, all seen from vistas around the Bay. The surrounding gardens were to set the scene for and encourage the building of beautiful homes in the adjacent gently rolling hillsides. Train and ferry systems recently developed would connect the East Bay to San Francisco, opening the area for refined suburban living by those who could afford it without limiting their access to doing business in the city. Residential lots would be large with significant setbacks, encouraging picturesque and park influenced front gardens. Ground was broken in 1906 and the hotel largely finished in 1915 after a number of financial issues and, ultimately, its sale to another owner.
Ten subdivisions of residential lots were released between 1905 and 1907 and many palatial homes in a variety of styles were built long before the hotel itself was open. The 4th release of lots was called the Hotel Claremont Tract and Mr. Howard Hart stood ready to purchase its prime lots, #1, #2 and #3 on which he planned to build a massive home in the Spanish and Italian renaissance style. These lots lay just southeast of the hotel on a street which curves back upon itself so tightly that they had street on all sides save the southernmost. Think of the letter U laying on its side–the curve of the U faces the Claremont and it would be prominent in the views of the 43 room manse. Lot #2 & #3 would allow room for a conservatory, ample gardens and chauffeur’s quarters built over garage space. Mr. Hart had made his fortune mining gold in the Klondike and no expense would be spared in the building of his new estate.
The first structure to be built on the property was the garage and its second story apartment. Built on Lot #3 with easy access to the street via a long curving driveway, this garage and the portions of the gardens developed adjacent to it are all that remains of the grand Hart estate completed in 1912. The balance of the estate has long since been divided again into smaller lots, now having homes of their own. Additional parts of the garden have been preserved at two of these homes but are not visible from the street.
THE HART GARAGE GARDEN IN BERKELEY
The current homeowner has characterized the property as “the ugly duckling in the neighborhood” and admits that she refused to even look at it when it came on the market. Neither the home (ok, the garage) nor the remnants of the once fabulous garden are visible from the street. There is nothing remotely translating to a “front door.” Living in an area starved for anything green and especially mature trees I knew it had to be beautiful back in there somewhere!
As you walk up the driveway there are lovely, primarily green borders undulating amongst lawn areas. Tall trees provide shade and shadows which only enhance the almost fairytale feel.
Classic boxwood globes enclose a spot filled with calla lilies, bergenia and oak leaf hydrangeas.
A lovely open sunny spot.
Cool and refined–perhaps what the Claremont Hotel builders had in mind?
To the right of the very wide drive is this first peek at the sweeping staircase leading to the apartment over the garage. the Harts lived in the apartment while the main home was under construction and perhaps that is the reason for such a grand staircase entry for a living space to be used as chauffeur’s quarters. Tall spires of Acanthus mollis are nestled in a very small footprint at the base of the stairs and what I think is a Phormium with its bronzy leaves is taller than I am.
I believe this open space leads to what was at one time the entrance to the lower area called “the pit” where car repairs were done. Directly to the right is a large paved area with parking for multiple cars.
A steep terraced slope filled with roses and edged in boxwood makes the transition from the concrete parking area up to the garden’s next level. The gaily black and white striped umbrella is one of several throughout the garden.
An interesting iron gate leads marks the stairway to the upper garden entrance.
From this angle you can see a bit of the arch belonging to the estate’s original porte-cochere which had been totally enclosed in an unfortunate past remodel. The current owner restored the porte cochere and cut in the wide staircase for easy garden access.
The next terrace runs fully across the garden and is home to another original garden feature-the pergola.
The sweeping pergola appears to have once connected the conservatory and farthest gardens to the main house. Sturdy circular columns support crossbeams cloaked in vines and lit a night. At the end you can see the current property line. I couldn’t tell if any of the pergola remains in the adjacent garden. Parts of this walkway needed replacement and the current homeowners commissioned custom brick, including its unique beveled edge, to make the best match possible.
Slightly downhill from the pergola is a lovely shaded sitting and dining area carved out of the existing shrubbery beds. The homeowner removed a wide swathe of old hydrangeas, added a couple of stone steps down and a gravel floor. She shared with us that this small change is one that made the most impact on day to day life in the garden.
The former flower bed is now home to a casual teak dining table and chairs on which she had placed welcome snacks and beautiful floral arrangements using materials from her garden.
This was a wonderful spot to relax for several minutes and look over materials detailing the history of the home and garden and some of the most recent renovations. The lady of the house was in the garden answering questions and made sure we didn’t miss this shady haven. Thank you to her and to the Berkeley Architectural Heritage Association for a wonderful booklet from which I took many notes from to be able to give you the area history which lead off this post.
I stepped through the pergola on the uphill side to enjoy a long and narrow koi pond built in a classic style with water softly trickling from an embedded fountain.
A shady resting point at the far end of the koi pond shelters a marble statue which was found under layers of greenery and dirt when the garden was renovated. The black and white stripe fabric playing off bright green backdrops is a theme carried through the landscape.
Clipped boxwood hedges and tall, pale roses soften yet another retaining wall holding back the significant slope.
The slope on the koi pond end of the garden is more shady and more formally planted. These sculptural tree trunks and their leaf canopies shield the pond and its dual chaise lounge resting spot from the vista when you are high on the slope.
Out of the shade of the trees the slope plantings become more eclectic and more waterwise/sun tolerant.
There are lots of small succulents in the foreground. The plantings disguise the packed gravel and stone paths that zigzag their way up the hill.
At the garden’s opposite, end bistro seating is placed in front of a small stone fireplace.
A peak through the gate next to the fireplace reveals a steep slope packed with agapanthus, bellflowers and cast-iron plant. A stepping stone path leads to who knows where?
I use the set of stairs closest to the fireplace to ascend the hill. Paths led both forward and to the left. Which way to go? I am going to wander my way up and across–let’s see what I find!
Large scale phormiums and fat agapanthus clumps cover a lot of real estate near the fence. This was one of only a few places where any other house (even the roof) could be seen. The sense of enclosure and privacy was wonderful–definitely in your own little world in this garden.
Reaching the uppermost cross garden terrace path I am in deep shade surrounded by acanthus, ferns, camellias and other low light classics. The home you can barely see in the background sits on a lot which was once part of this garden.
Looking across the garden pittosporum brighten up the shade and are clearly trimmed to keep them quite low. Much of the uphill side of the path is built up even further with rocks.
I am just about back to where I started my wandering adventure.
Beautiful roses, most but not all pale in hue, are a mainstay in this garden along with many classic plants from the era the Hart Estate was built. Many decades old shrubs, trees and perennials were refreshed adding to the mature feel of the space. The traditional mixes freely with succulents and salvias. The terracing of the slope provides ground to grow many much more plant material than if the slope were simply graded. The multiple paths spanning the entire width of the garden lead you to believe you have walk very far from home when, in fact, you are only a few feet away.
This garden is up there in my top ten private gardens I’ve seen on countless tours over a decade. The mixtures of formality and playfulness, old and new, leafy and spiny are all very appealing. Regardless of its size and complexity it feels like a manageable garden, in part due to the casual but not messy attitude of the terraced slope. The shady seating and dining housed in the reformed hydrangea bed and the serene koi pond are both perfectly done. I would have loved to have seen the restoration of the interior space; wiping out the sins of the 80’s and reforming it from garage to beloved family home over the span of seven years. I’ll be watching the Berkeley Historical Architectural website http://www.berkeleyheritage.com for any interior tours in the future. A++ on this one!