Bigger than a See’s candy but smaller than a coffee table…at least so far

Bon 6

I guess some plants just know when you’ve picked the right spot for them and they reward you in kind. Such has been the life of Salvia ‘Bon Bon’ since I dug it in near the base of our mailbox on March 20th of last year as part of the replanting of an area previously predominantly turf.

I’d like to say the ‘plan’ for this area was laboriously developed, plant by plant, using age-old principles of good landscape design. Alas, it came to be as most other parts of my garden have–with the statement of a broad goal (reduce irrigation) and whatever plant materials I find in my garden travels supplemented by stock from big box stores and the very few independent garden centers in my city. Sometimes the pickings are good, other times not so much. There is no benefit in developing a design for an area with a pre-planned plant list if those plants cannot be sourced fairly locally.

Having bought several selections new to me at the San Luis Obispo Botanical Garden’s fall plant sale in October 2017 I was still in salvia mode when I ran across a single sad 1 gallon ‘Bon Bon’ at a local nursery, Willow Gardens. It looked as though it had been hanging around awhile and while not especially appealing it was one I didn’t have and fit my broad parameter of being at least moderately xeric. I stand guilty of buy now and research later on this one.

Bon 1
March 21, 2018

At planting it was not even worth a close-up pic but you can see it just to the left of the stone mailbox. Monterey Bay Nursery’s website described it as “a perky, cute little native hybrid of S. clevelandii ‘Aromas’ and S. leucophylla ‘Point Sal'” and as “a very tough, low diminutive dry garden ground cover for full to half sun.” While I can attest to its toughness–this spot has NO source of summer water and it is full on south facing–I am assuming the diminutive appellation is relative to other closely related salvias. Its size is described as about 30″ tall when in flower by about 36″ wide.

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Settling in nicely on May 24, 2018
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At summer’s end–September 23rd, 2018–no rain since April, out of range of the irrigation system and no hand watering–I am looking way more worse for the wear after summer than ‘Bon Bon’
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Coming into bloom in late February 2018

Bon 4

From only a slightly different angle this bed has filled out beyond my wildest dreams in the last year! Salvia ‘Bon Bon’ is a standout snuggled up against the mailbox’s stone column and awash in blooms and bees. I am still unsure if this is its normal bloom cycle. I recently added another to the opposite side of the front walk and it is also starting to bloom. This second spot is slightly less dry and I’m interested to see if the additional water results in a less robust plant. At just a year in the ground it is already at Monterey Bay Nursery’s mature size estimate. I am planning to tidy it up when these blooms are done and that effort will be the first I’ve made on its behalf since it was planted–my kind of minimal maintenance requirements for sure. I’ll let you know when it gets to be bigger than a coffee table! I’m giving ‘Bon Bon’ an A++ for its fledgling year.

 

 

Dipping my toe into the stock tank gardening craze…

The last few years stock tanks, traditionally used to water livestock, have been popping up in gardening magazine and websites repurposed in all kinds of creative ways. Even the largest sizes are relatively inexpensive in light of of the visual bang for your buck in the garden and they fit right into the upscale farmhouse home and garden vibe so popular now. On my trip to Austin last May I saw great examples of stock tanks used as both raised planters and water features. If you missed the Austin posts or just want a refresher check out both Howdy from Austin…digging under the Death Star and Howdy from Austin…Lady Bird Johnson Wildflower Center for stock tanks used in both residential and public garden environs.

It was just a stretch for my ranch raised husband to understand why I would would even want a pond made from a stock tank in our emerging lawn free front garden so I am starting small(er), easing into the idea by using an oval tank as a problem solver in our back garden. An inexpensive, non-construction dependent solution to an existing garden challenge is a lot easier sell than any type of pond which just looks like more maintenance to him.

Stock tank 1

When we built our outdoor pavilion in the back garden in 2011 city code required the structure to be set in 15′ from our fence line. In our part of the city the fence line is considered to be our property line–hard to understand why we spend so much time and money trying to maintain that long strip between the fence and the street…but, oh well. Behind the newly built pavilion we added a second 10′ deep concrete slab to increase our outdoor dining options for large groups. The remaining 5′ deep border was home to a number of mature cherry laurel trees whose roots, along with the in-ground irrigation system was inextricably intertwined with the roots of the very large Bradford pear planted on the other side of the fence as part of the home original landscape. We laboriously removed those cherry laurels last summer, leaving the area bare. The effect of that root system on the fence is easy to see but the value of the shade tree in summer far outweighs the lifted fence. I am sure that when this fence eventually falls down we will have to install the new one with a ‘bridge’ over the root system to safeguard the tree.

The stock tank will allow me to replant this area with the least tree root disturbance as possible. It is pushed forward to the edge of the patio to allow about two feet of clearance behind it to accommodate the worst of the root raised surface and still be level and plumb. An added bonus will be that the off the ground plant material will somewhat remove visual focus from the wonky fence. The two sprinkler risers which once watered the cherry laurels remain intact (I’m pretty sure we could never get them out without doing damage to the buried PVC) and they will be fitted with drip tubing and mini emitters on stakes to water the trough.

 

We call the area behind the pavilion the Secret Garden as it is not really visible from the house and only fully reveals itself as you approach this shady outpost in a very sunny back garden. In addition to just walking through the pavilion, stone paths on either side offer access to the Secret Garden.  Above you can see the tank’s location as viewed from both ends of the paths.

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The stock tank is centered on the pavilion’s columns and, when planted, will be a focal point drawing the eye through the structure when viewed from the pool. We typically have two 4 person wrought iron tables with chairs sited either side of center but I have been greedily gazing at websites with swinging beds…when the pavilion was built the cross beams were engineered for significant weight specifically for the addition of such a ‘lowcountry’ bed.

Since the full 3′ depth of the stock tank is not necessarily needed for successful planting and as a way of reducing the monumental amount of lightweight planting mix I’ll need to purchase to fill the 8′ long container I have been looking at alternatives to take up a little space in the bottom.

Stock tank 4

This is my current scheme but to fill out this layer and add a second one we will have to drink a whole lot of bubbly stuff! I plan to pull the tank’s drain plug out and affix a piece of screen over the drain hole. The bottles will hopefully provide little air space to prevent dirt from clogging the screen. May a layer of burlap over the bottles? I’m open to any suggestions y’all may offer, including an eco friendly alternative to the bottles.

I’m heading to the San Francisco Flower & Garden Show (bizarrely being held in Sacramento this year–going to have to get the back story on that while I’m there) and I hope to get some inspiration for plantings. The Sacramento location takes me right by a couple of my favorite Sacto area garden centers so hopefully next time you see this stock tank it will be fully planted!

 

‘Bill Wallis’ welcomes me home…

Bill Wallis 2

Preparations for my youngest son’s marriage to his darling Laura have kept me out of the garden, both in focus and physically, for the last couple of months. In addition, we have had an incredibly wet winter here in the Central Valley of California–strictly an observation–not a complaint as anyone gardening here will never complain about rain, even when it comes day after day in torrents. A soggy winter can carry us quite far into spring before needing to think about supplemental irrigation!

The one project that has carried on, as the skies have allowed, is the front garden renovation started in earnest in the fall. Only a small area still remains to be double dug and amended and as much as I have had plants in reserve to work with I have marched right along behind the digging putting in perennials and small shrubs conducive to our goal of reducing the need for summer water.

Many plants which have performed well for me have been dug and divided from other parts of the garden to incorporate into the new area. A few things which had languished unenthusiastically in their current homes have gotten new addresses also. One of those ‘unhappy in its starter home’ specimens is Geranium pyrenaicum ‘Bill Wallis’ whose blooms are pictured above.

I have been a collector of hardy geraniums for several years–I never leave a nursery or garden center without first checking their offerings for species and hybrids to add to my booty. Check out my post A tiny monster any girl can love… for a little info on the geranium vs pelargonium confusion. My zone is not terribly friendly to most of the hardy Gs although many of them thrive naturally in challenging climates all over the world–even with irrigation the air is simply too dry here in the summer months. Think the UK and much of Eastern Europe where they scramble and ramble to the point they are sometimes considered invasive! I consider them a challenge with rewards worth a little extra tending.

‘Bill Wallis’ has had a spot under a crepe myrtle tree in my front garden for more than two years, having been purchased on a now not distinctly remembered garden center ramble out of town. When I dug it up just after Christmas and moved it about three feet from its original home I swear it had only the same three leaves on it as when I purchased it and it had NEVER flowered. It’s new abode, in freshly double dug and very well amended earth was apparently the shot of adrenaline ‘Bill’ needed and the sad little clump, whose root mass had fit in the palm of my hand, sprung to life.

Bill Wallis 1

This is ‘Bill Wallis’ as seen on my first garden walk-around upon returning from Joshua and Laura’s North Georgia mountain wedding. My initial research after purchasing the little guy was that it would eventually form a large mound  and, as it reseeds readily, could naturalize in ground that has been disturbed–not at all what my experience with the plant had been. Perhaps it was the ‘disturbed ground’ or the more fertile soil provided by copious amendment that was missing from the necessary cultural conditions needed to make Geranium pyrenaicum shine. Clearly February is not its natural blooming peak so only time will tell how it fairs through spring and summer. I especially love its sprawling red stems–cutting them back when the 1″ blooms are spent should produce new stems=new flowers. Fingers crossed on that! If I get so lucky as to have too many seedlings there will be plenty to pot up for gardening friends–how’s that for starting 2019 with a positive attitude?

I have a lot of garden travel on my calendar in late spring and summer, including this year’s Garden Bloggers Fling in Denver. Also have a dear friend moving to Arizona this year and that could require a new garden consultation–going to have to read up on all those spiky things! You won’t even have to pack a bag to join me as I see new places and new gardens throughout the year.

Bill Wallis 3

 

Getting down into the gutter…

NW Cotton Candy 2

There are no finer blooms than those of the hellebores in late winter. The only even slightly negative thing I can say about these lovely nodding bells is that you almost have to lay on the ground on your back to photograph their blossoms! This is one of a half dozen or so I sited up the slight slope of a narrow long side yard on our corner lot. So indeed, I was literally in the gutter with my camera propped on the curb trying to get this picture.

This is Helleborus x hybridus ‘NW Cotton Candy’ (also sometimes labeled ‘NGN Cotton Candy’) in its first winter bloom. The lawn in this side bed was removed in 2017 and the area replanted between late 2017 and early 2018. This 1 gallon plant went in just about this time last year, at the tail end of when hellebores are in full bloom in the garden centers.

NW Cotton Candy 3

It is one of three and is tucked under the shady canopy of a mature Bradford pear. I have to give it stellar marks for vigor as this area is extremely dry shade with ample root competition for what little summer water is available. The trio was a little peaked through the hottest summer months but nothing more than to be expected of perennials not yet having settled into their new homes. The recent rains have helped tremendously and there is a nice first year show of blooms on each plant.

The Cotton Candy strain is one of a series of Northwest Garden Nursery hellebores produced from hand pollinated plants in the Eugene, Oregon garden home of Ernie and Marietta O’Byrne. The O’Byrnes have dabbled (their words–I’d call it way more than dabbling) in hellebore breeding since the early 1990s. You may be familiar with other strains in their wildly popular Winter Jewel series. I recently bought their ‘Ruby Wine’ which is almost black with a purple sheen. Although they are primarily breeders and wholesalers they do have select retail days throughout the year. Hellebore Garden Open Days each February offer opportunities to tour their garden. The 2019 Open Days are right around the corner–February 16th and 23th. Please visit their website http://www.northwestgardennursery.com to read all about the O’Byrnes and get a glimpse of their garden. Don’t miss clicking on the Gallery tab to see individual photos of their single flowered and double flowered strains–a feast for any gardener’s eyes!

NW Cotton Candy 1

I first came to adore these so called Lenten Roses when I lived in Georgia where they multiplied readily under the protection of tall pines. While I admire their variety and their propensity to ‘pollinate amongst themselves’ producing seedlings whose eventual blooms look nothing like anything you what actually purchased, I love none more than the ones I just call Mary’s hellebores which were seedlings from the garden of my dear friend Mary S. Transplanted from my Macon garden to my California garden–a very long over the garden fence trip–they did not reach blooming age until after we had left Georgia but now provide me with bountiful blooms and memories, growing vigorously and offering me countless seedlings to pass along to yet another gardening friend.

NW Cotton Candy 4

The “new” Grevilleas…

grevillea rosemarianus 2

No, they aren’t really new at all but the wide variety of shapes, sizes and flower color in the genus Grevillea has certainly been more visible in American garden centers in the past decade as the prominence of Australian plants surges in gardens where climate and cultural conditions favor the so-called Mediterranean and sub-tropical plant families.

Grevillea is a diverse genus of over 300 species of evergreen flowering plants native to Australia, New Guinea, New Caledonia and other eastern Indonesian islands. The genus is named for Charles Francis Greville who sat in the British House of Commons from 1774 to 1790. He was a very close friend of Sir Joseph Banks, one of the organizers of the Society for Improvement of Horticulture, a precursor to the Royal Horticultural Society.

In my first iteration as a California gardener in the 1970s about the only Grevillea commonly used in Central Valley landscapes was Grevillea ‘Noellii’, a fast growing prickly shrub with fine foliage and with intricate dark pink flowers. For my minuscule first home lot its mature size of 3-6 feet tall and wide was just too overwhelming. I can’t say in the ensuing 40 years that I had thought much about Grevilleas until we returned to California in 2008 and I started seeing them popping up with great diversity in garden centers, especially in very temperate Southern California. Short or tall, upright, mounding or almost prostrate, there seems to be one for almost any garden situation as long as you have a sunny spot with good drainage. They are hardy mostly and 20 degrees C and drought tolerant. The only quirk of note is their intolerance to phosphorus–thus the need to be cautious with fertilizers.

In our seemingly never-ending lawn removal/bed replanting project I have added a few different species and cultivars of Grevillea. One of the first selections was Grevillea rosemarinifolia, pictured above, which I tucked under the loose canopy of a huge weeping juniper anchoring a spot of ground between our driveway and our side yard fencing. With rosemary like foliage, this species will mound up with layers of airy, nodding branches. As we periodically tidy up the juniper, more space for its eventual 4 foot height is made. Even with the dappled shade produced by the juniper’s branches, this area is in full on southwestern sun all day and gets precious little irrigation. Check out This eagle has finally landed… for some pics at the end of the post of this juniper in all its tree-like glory!

Planted in very late 2017 from a 4 inch pot this selection has proved to be a robust but well-behaved garden dweller, covered now with pinky red buds ready to burst into bloom.

grevillea rosemarianus 1

My back garden holding area still has a few “new” Grevillea waiting for their permanent homes to be ready and I am on the lookout for additional  ones to try. I am most excited about a little gal called ‘Pink Midget’ which will occupy a spot along the walk from my mailbox to my front door. I can’t wait to see the hummers fighting over a spot at their new nectar bar!

 

 

Salvia ‘Dara’s Choice’…

Our so-far mild winter is allowing us to continue work on our final front yard lawn removal. We’ve had just the right amount of rain to loosen up the soil and make digging less onerous but not so much that we have lost too many work days to puddles, sogginess and sinkholes.

Daras choice 1

We are marching steadfastly from west to east with my sweet Dave in the lead, having both the tools and muscle. You can barely see him in this photo sitting on the ground behind the red wheelbarrow. This being our fourth time to the party he has got a pretty good system. The lawn was chemically treated in early fall–lawn removal by sod cutting machinery is not such a sure thing with a common bermuda lawn. The roots can be very deep and any small viable bits left behind will roar back as soon as growing conditions are right. I swear there have been viable bermuda roots found in fossils from prehistoric times!

He has divided the area into smaller, more workable sections. First, he uses a hula hoe to scrape off any above ground dead grass up into piles. To not sacrifice so much of our topsoil he then sifts through these piles, separating grass remains from viable soil–that’s is what he is doing sitting on the ground in the photo. The good soil is then moved off to a tarp to be reincorporated later. Next he tills the area and again picks out any grass roots, rocks, etc. including copious wads of the green netting that was the original sod’s underlayment. Step three is to double dig the section–one shovel depth’s down worth of soil is dug and off loaded to the side and then the newly exposed surface is dug a second shovel depth’s down. The rock, roots and various leftover construction material removal continues throughout the process. All the previously off loaded soil is returned to the bed and dug together along with whatever amendments I have selected for the area. I am exhausted just outlining the process! The last step is to grade the section to flow smoothly into large untouched areas at the bases of our mature trees.

As Dave prepares the beds I follow behind adding the plants. As with the areas already finished I am concentrating on more waterwise plants–hoping to create a balance the water needs of the existing mature landscape and the new. Unlike last year, my back yard holding area is not so flush with “plants in waiting” so planting is going slowly. Lots of bearded iris and daylily divisions have gone in along with a number of my favorite salvias. I am trying a few more new selections such as Cistus ‘Anne Palmer’ and Ceanothus ‘Hearstiorum’, both plantings of which will be in the bed’s ground zero for all day  southern sun. Once these are established they should be very low water users which will allow me to eliminate several pesky, always broken, curbside sprinkler heads.

I am on always on the hunt for plants. Our recent Southern California overnight yielded two nursery stops and a few selections were checked off my acquisition list. Not to be found–and no surprise given the time of year–was another Salvia ‘Dara’s Choice’ to echo the one planted to the west of the front walk last year.

Daras choice 2

I probably should read my own blog archives so I can remember if ‘Dara’s Choice’ was purchased locally or, more likely, one of the salvias I bought at the San Luis Obispo Botanical Garden’s 2017 fall plant sale. The single gallon can specimen was quite small and unremarkable when planted but over the year it has grown to a beautifully shaped, slightly weepy mound with clear medium green quilted leaves. And in the last couple of weeks it has come into bloom. Not really a show stopper but not every plant has to be covered in big, blowsy flowers to have worth in my garden.

Daras choice 3

Mid photo you can see there are a good number of gracefully stalks bearing the small pale blue whorled blooms. The layered foliage performed very well, even though in the ground only a few months, throughout our very hot and dry 2018 summer. Its graceful appearance on the slope is worth repeating in the area we are now working. A little research reveals ‘Dara’s Choice’ to be one of the black sages, botanically Salvia mellifera. Apis mellifera is the scientific name for honeybees to which this plant is highly attractive. The foliage is wonderfully fragrant and its relatively low, mounding profile and broad spread makes it a great salvia selection for well-drained, sunny slopes. I am hopeful I will find one soon and who knows what other interesting plants I will meet along the way! Give us a few more weeks on this project for a complete coverage of what we’ve added to the mix of shrubs and perennials.

Origami squared…

An overnight jaunt to Southern California allowed my husband and I a brief visit to the Rancho Santa Ana Botanic Garden to view their current exhibit of art in the garden entitled Origami in the Garden2 (actually the little above the line 2 as in the mathematical annotation for squared–no idea how make my keyboard do this.)

Origami 1
One of two standing cranes by Kevin Box which greet visitors to the exhibit

Rancho Santa Ana Botanic Garden spreads over 86 acres in Claremont, California and is the largest botanic garden dedicated to California native plants. Its mission is grounded by a philosophy of biodiversity and the importance of bringing real world conservation applications to the public through horticultural education, scientific research and sales of native plants. This garden is yet another public resource I never had the opportunity to visit in the decade+ that I lived in Southern California and today because our arrival is already late in the day and the light waning, we will only see a small part of the grounds. Visit their website http://www.rsabg.org for all the details about the garden, its events and resources.

There are no better words to describe this exhibition, an intersection between art and nature which will remain in the garden until April 14, 2019, than those on the website: “Origami in the Garden2 is an outdoor sculpture exhibition of larger-than-life origami creations. Created by Santa Fe artists Jennifer and Kevin Box, the sculptures capture the delicate nature of Origami, a paper art form originating in Japan and celebrated around the world. Crafted in museum quality metals, the artworks each tell the story of a single piece of paper as it transforms into a soaring bird, emerging butterfly, galloping pony and many other remarkable forms. The exhibition features the Boxs’ own compositions as well as collaborations with world renowned origami artists: Tim Armijo, Te Jui Fu, Beth Johnson, Michael G. LaFosse and Robert J. Lang.”

The guide we picked up at the entrance not only contained a map of the botanic garden’s various areas but an easy-to-read as you walked along guide specific to the location of each of the 16 outdoor sculptures celebrating art and nature through the lens of origami. Super cool was an Audio Tour phone number to call on your cell phone to hear additional information from the artists. As you stopped at each sculpture you dialed the number and at the prompt entered the audio tour number listed on both the map and the artwork’s signage. It was really fun to hear the actual artists talk about their pieces and the audio content expands upon what was on the printed placards by each piece. My husband took charge of navigating our route and queuing up the audio for each piece on cell speakerphone, leaving me free to let my senses take in the garden and my camera lens to wander. Unfortunately, this freedom had no immediate effect in improving my photographic skills but I looked very professional, as if I had an assistant along to do my legwork. By the time we had seen seen and heard about each piece it was past sunset and almost dark–and 4:58 pm, only 2 minutes shy of the garden’s closing. Here are a few of my favorites:

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Crane Unfolding by Kevin Box

This sculpture is the first origami-inspired work by Kevin Box and is crafted from painted cast stainless steel on a steel base. In his words, “The origami crane is a symbol of truth, peace, beauty and long life. This crane reveals the meaning of its life as it unfolds into a star.” To him, the folded crane is a representation of what we see on the surface of life, while the unfolded crane is a representation of the beauty hidden beneath–there is more to life than what meets the eye.

Origami 3
Painted Ponies, a collaboration between Kevin Box and Te Jui Fu, a Chinese origami artist

Painted Ponies frolic in Fay’s Wildflower Meadow. They are fashioned from powder coated aluminum and represent an example of an origami technique called kirigami which means cutting paper. Scissors are used to make four cuts in the paper square and these cuts enable more easily achieving the detail needed for the ponies’ legs and ears. The symbol on the red pony’s hindquarters is a nod to the collaborative nature of this piece. The Chinese character of Te Jui’s last name, Fu, is enclosed in a box representing the metal sculptor’s surname.

Origami 5
Duo by Jennifer and Kevin Box

The white bird or dove is a global motif recognized as a symbol of peace and the human spirit. In nature, cranes mate for life. These painted cast stainless steel cranes symbolize that quality of pure devotion.

Origami 6

Duo occupies a peaceful space at the end of a stream bed in the Percy C. Everett Memorial Garden which features examples of grouping together plant material with similar water needs. I loved this large bubbling rock!

Who Saw Who? by Kevin Box, Tim Armijo and Robert Lang stems from a sort of after the fact collaboration. The raptor and mouse in their original origami forms were each cut from single sheets of paper: the mouse by Tim Armijo and the raptor by Robert Lang. Kevin Box cast each in bronze at different times and set them aside in his studio. It was not until he caught a glimpse of them later that they appeared to be looking warily at each other–predator and prey frozen in time and metal.

Origami 11
Seed Sower & Seed  by Kevin Box, Michael G. LaFosse and Beth Johnson

Seed Sower by papermaker and origami artist Michael G. LaFosse and Seed by Beth Johnson were cast in patinated bronze by Kevin Box. The duo explore the role squirrels play in the life of a healthy forest.

Origami 13
Nesting Pair by Jennifer and Kevin Box

When Jennifer and Kevin Box built their home and studio together, they were reminded of two birds building a nest. The bronze casted olive branches symbolize peace and compromise and form the nest. The artwork emerged naturally at a time in their life together when they were discovering and accepting the need for compromise to build a happy marriage. The addition of the two cranes, mated for life, resting comfortably on a nest of compromise completes this beautiful and very personal piece. Thank you, Jennifer and Kevin!

Origami 23
Hero’s Horse by Kevin Box and Robert J. Lang

The origami Pegasus was folded from a single uncut square of paper by physicist Robert J. Lang based on a sketch designed by Kevin Box. The artists’ collaboration eventually produced a 25 foot tall fabricated metal sculpture now found in Dallas, Texas. This smaller version was then created from painted cast aluminum on a steel base. Kevin Box shares, “Hero’s Horse is a story of hope, reminding us that who faced with impossible odds help is on the way and good will always win the day.”

Origami 24
Folding Planes by Kevin Box

Seven simple folds transform a blank page into an airplane in flight. Each fold is symbolic of a choice or action to transform an invisible idea into a reality and repeats a common theme in Box’s work–the story of a piece of paper dreaming of flying.

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Origami 25

Selected nights throughout the run of the exhibition RSABG will be open in the evening with its pavilions and other structures festooned with luminarias  and Japanese lanterns to see the sculptures by moonlight.

Origami 29
Conversation Peace by Kevin Box

The term “conversation piece” refers to an interesting or intriguing object that sparks conversation. In this interpretation of the game rock-paper-scissors, the paper has won by folding itself into a peace crane and flying just out of the scissors’ reach. This artwork represents the sculptor’s belief that conversation is the key to the peaceful resolution of serious conflicts, many of which arise from our misunderstanding of each other.

Origami 28
Rising Peace by Kevin Box

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As we round the gift shop to our last sculpture we have almost totally lost the light. The Johnson Memorial Oval is a wonderful setting for Rising Peace, allowing it to be viewed from all sides. At a distance the family of cranes appear to be rising into the night sky.

Although my focus was to at least see each one of the 16 sculptures I did see many interesting plants. This time of year there is not much expectation that a California native plant garden would be awash in bloom and this one certainly displayed evidence of a long and droughty summer not long gone by.

Origami 19

A single cluster of flowers on XChiranthofremontia lenzii, an intergeneric hydrid introduced by Rancho Santa Ana Botanic Garden. This was a massive tree/shrub with just this one glowing spot of golden orange, clearly the reason its common name is Fremontodendron ‘Pacific Sunset’.

If you are anywhere in the greater Los Angeles/Inland Empire area you still have plenty of time to take in this inspiring exhibition. A more in depth reading of the written materials I picked up at the entrance revealed an extensive educational program and a retail native plant nursery on site. Although this garden is a 3+ hour drive for me I’ve bookmarked their website to check back now and then so I don’t miss interesting upcoming events  I might be able to piggyback on to future SoCal trips.

P.S. Check out http://www.outsidetheboxstudio.com to learn more about metal sculptor Kevin Box, his work and collaborations with other artists!