Filoli was eerily quiet as I arrived for my monthly class in this quintessential country estate of times gone by. The forecast was for a day in the low 70s which for me would be a relief from a summer with weeks on end of temps surpassing the 100 degree mark. Unlike the efforts of many home gardeners who are about ready to call it quits by this time of year, Filoli’s formal beds benefit from the June changeout of plant material from spring to summer (and staff to make it happen…I must have misplaced my own staff) and were bright, bold and thriving!
The play of the morning sun turns the sea of orange zinnias to gold! The bold color scheme of the Sunken Garden almost glows in full sun under blue skies.
The blue mealy cupped salvia and lavender statice, barely past seedling stage last month, have come into their own. All of the annual flowers seen here are started from seed and grown out in the estate greenhouses.
This butterscotch colored Amaranthus was interesting. Commonly called amaranth or love lies bleeding, there are many ornamental varieties as well as whole grain varieties used as a food crop. Most of the ornamental ones I have seen are in the red and burgundy tones–slipped my mind to ask our instructor, Mimi Clarke, later in the day for the cultivar name.
I also enjoyed seeing the pops of white along the northwest wall provided by really nice stands of Cleome. A taller variety, the flowers topped 5 feet. I am going to find a sunny spot in the back of one of my borders to sow a packet or two of these next spring.
The garden and gift shop area was dressed for late summer also. The plants for sale often mirror what is prominent in the garden at any given point–today was a bit of an exception with this nice display of succulents.
My usual route through the Walled Garden to my potting shed classroom allows me to check in on those disappointing begonias I noted last month. They have filled enough now to give me a grudging smile.
The less formal areas southeastern areas of the garden reflect more of the late summer doldrums all gardeners experience: perennials not quite fully cut back in hopes of encouraging an second flush of bloom, cutting garden annuals nearing the end of their prime time and roses looking like they have had a long, hot summer. Every month I find these areas to be a comfort. Even with a hard working staff there are always more maintenance tasks than time and hands to do them–just like my garden!
A highlight this month where the clumps of naked ladies blooming everywhere! The bulbs of Amaryllis belladonna and Lycoris squamigera both produce straplike leaves which die back in late spring, followed by long naked stalks topped with clear pink blooms.
I believe these to be the Amaryllis rather than the Lycoris due to the symmetry and more pointedness of the petals and the color of the stalks but I wouldn’t put money on it! They are in areas clearly visible from the paths but not close enough to examine on hands and knees without walking into the planted areas. Both plants are great naturalizers and resent being moved. They were very popular with 19th and 20th century gardeners and remain so today–although many folks who have them ‘inherit’ them with their property rather than having sought them out to add to the garden.
Propagation is today’s classroom and garden walk topic. As we had covered seed collecting earlier we would concentrate on asexual propagation today with our hands on focus being propagation by cuttings. The major methods of asexual propagation are cuttings, layering, division and budding/grafting. Propagation by cuttings involves rooting a severed piece of the parent plant; propagation by layering flip flops the process by rooting a part of the parent plant and then severing it. Propagation by division is accomplished by digging up the parent plant and separating it into several parts or separated off plantlets that have set down roots away from the parent plant; budding and grafting allow you to join two plants from different varieties. Excellent written material walking us through each of these propagation methods is included in our class notebooks–I have propagated by division countless times but have little experience with the other three techniques.
Mimi’s go-to advice of knowing your plant and using good references is especially apt as you try your hand at propagation. A plant’s basic genetic and structural properties can point you to the method and time at which it can be most successfully propagated. The fibrous crowns of daylilies are perfect to tease off new plants by division while a plant with a tap root like Queen Anne’s lace cannot be propagated in this fashion. Even the seasoned professional gardening staff at Filoli consult their reference materials to find out the specifics for the plant they seek to reproduce. One of her recommended text is the American Horticultural Society’s tome Plant Propagation which is well organized by plant and written at a practical level for a non-scientist–good step by step photos also.
So today we will take a look at Filoli’s propagation set up, take some cuttings from the estate and prepare them just as the staff gardeners would. The hope is that they will be sufficiently rooted for us to pot them up to take home in September.
Before we head out into the garden we get a quick primer on rooting media and containers. Filoli gardeners construct propagation flats, sized perfectly to sit two deep on the tables in the propagation house (prop house), but any box that will provide suitable drainage can be adapted. The rooting media (soil) should be clean, porous enough for root aeration and drainage but also capable of water and nutrient retention. An easy mix to start with would be 50% peat moss and 50% perlite–dampened, mixed and pressed into your rooting container. Let’s head into the garden!
We stop outside the propagation house to see what is hanging out in the cold frames. Cuttings which have rooted well are potted up (usually to 4″ pots) and moved outside to acclimate. There are a number of cold frames throughout the ‘working’ areas of Filoli and at any given time they contain a mixture of potted up rooted cuttings, divisions and grown out plants waiting to be switched out in the display areas or bound for the retail shop.
Inside the propagation house, pots and flats–check out Filoli’s perfectly sized wooden rooting boxes–are arranged on the concrete tables on either side of the structure. These tables are original to the prop house, which dates very early in the estate’s history. The tables provide bottom heat to the cuttings by means of a piped hot water system tucked up under the table top–also original and still working well. Overhead misters and fans provide the ongoing constant moisture needed for root development. Temperature of the rooting media is monitored by a thermometer in the box or pot and adjustments are made to the climate as needed. Everything is labeled with the plant name, date and often where the particular cuttings were taken in the garden.
Our next stop was one of the large greenhouses adjacent our classroom–this one houses many of the potted tropicals that rotate through the house and a host of succulents plus anything else that just needs a temporary home inside. We are catching this house at a time just past the last large annual changeout (June) and before flats are seeded in the fall with next year’s spring annuals. Mimi tells us that much of what we see today will have to be moved in a month or two out to house hundreds of flats of newly germinated annuals.
The greenhouse features a wide center walkway going from doors on either side. The perimeter window walls have permanently fitted table space. The double wide center table seems to only allow access from one long side and it initially appears very hard to reach anything more than an arm’s length away. I was fascinated to find that this very wide and long (maybe 30 feet long and 15 feet wide?) table sits on a system of galvanized pipes that allow it to be rolled from side to side with little more than one person’s effort–thus eliminating the need for a walkway on both sides and increasing the overall storage space.
Additional cold frames are found on both sides of this greenhouse. In the winter months they will be covered to prevent heat loss.
In the center of the above photo you can see pots of young Taxus baccata ‘Stricta’, the Irish yew, which is one of Filoli’s signature plants. Prominent in the original estate landscape, many of them on the grounds are decades old and there is a constant need for replacements. The original yews were started from cuttings taken from trees at Muckross, the Bourn family estate in Ireland. The cuttings were then planted at Mr. Bourn’s Empire Mine until Filoli was ready for landscaping. Every Irish yew replacement is grown from a cutting of one of the original plants.
We came upon this artful stack of wine boxes in the covered work area behind our classroom–looks like some quick minded gardener had snagged them to use as boxes for rooting cuttings and starting seeds. Some of my classmates opine that they were perfect in size and shape and muse about how they could explain to their spouse that they need to buy all their favorite wines by the case now so they could have these great boxes as a bonus! On to a lightening fast lunch so we can get back out in the garden to get our cuttings!
Mimi had planned for us to take cuttings from Weigela florida and Aloysia triphylla (lemon verbena), both robust deciduous woody shrubs that we had talked about on earlier garden walks. Special request cries arose for Philadelphus (mock orange), Hydrangea anomala petiolaris (climbing hydrangea), and a specific camellia. Clippers and brown paper bags for collecting in hand we’re off!
Everyone takes a turn at snipping, looking for supple disease free whips to harvest. On the left you see the brick wall of climbing hydrangea. Having done our research in the classroom on each of the proposed selections we had learned that this slow to establish but eventually very aggressive deciduous vine is best propagated in the spring when it is just beginning to produce new roots at the nodes to help it cling to its support (wall). Armed with the knowledge that the success rate for our late summer cuttings may not be high, we are still going to give it a try–I read recently a quote “If you are not killing plants you are not stretching yourself as a gardener.” So there. Now if I can only get the man I share a checkbook with to adopt that philosophy…
Back in the potting shed our booty is spread out by variety and we get a quick demo on where individual cuts should be made so that every cutting has a node which will be down in the rooting media and one exposed to the air which will produce new growth.
We divvy up into teams and to prep our plant’s cuttings and organize our rooting tray, keeping like cuttings together in tight rows. Labels are made and added to the tray at each point where the plant type changes. We are sharing our tray with the Saturday class it is amazing how many cuttings we got into our half. You can see above we originally started to fill the tray from both sides but ended up relocating them to our designated space. ‘Tray management’ may seem to be a facetious concept but it really critical in knowing what and when you’ve planted and keeping your propagation efforts organized. Just like so many things in life that you think you will remember exactly what and how you did something (on the day you actually did it)–the reality is that a week later it is all going to blur together!
Like a dozen proud parents we walk our tray to its place in the propagation house. Mimi Clarke gives it a gentle spray. If gardeners gazing with pride and love can make plants root these babies ought to be 2 feet high by next month!
The September meeting will be our last meeting of A Year in the Garden. We will close our time together talking about winding down the garden in fall. Our individual projects are due and we’ll have the opportunity to see what everyone else has done–no pressure here–and hopefully have well rooting cuttings to add to our own gardens as reminders of the time we have spent at Filoli.
A narrow strip of land between the Smithsonian Arts and Industries Building and the Hirshhorn Museum and Sculpture Garden, once designated in the master plan of the day as a future parking lot, is the site of the Mary Livingston Ripley Garden. Mrs. Livingston, who was the wife of the eighth Secretary of the Smithsonian Institution and the founder of the Women’s Committee of the Smithsonian Associates, was an accomplished plantswoman and envisioned the open space as a “fragrant garden”. In 1978 she persuaded the Women’s Committee to sign on in support of her garden concept and the space became reality in 1988. In the early years of the garden Euonymus was transplanted from her home in Litchfield, Connecticut to form the east wall espaliers. The garden is supported today with funds from another benefactor, Mrs. John C. Folger, who established an endowment in 1994 for the care of the garden with the hope that others would be inspired by her generosity and add to the funds, enabling the garden to be enjoyed by the public well into the future.
This interesting vine was new to me. Cissus discolor or rex begonia vine is being supported almost invisibly by a panel of fine chicken wire. A little research revealed that this species is a tropical and would generally be used as a houseplant in a cold winter area like Virginia. A great example of Janet’s goal to expose visitors to new and interesting plant material, in this case in non-traditional setting.
Queen of the Dirt 