Easing into the East Bay…Keeyla Meadows Gardens & Art

I am going to end the Garden Conservancy Open Days East Bay posts with a bang as I take you to the home and studio of renowned painter, sculptor and garden designer, Keeyla Meadows. You’ve met Keeyla and seen some of her garden design in my posts Easing into the East Bay…fearless color and Digging Deeper with Keeyla Meadows at Urban Adamah…. If you’ve not read those posts, make sure to go back to them as a chaser for this visit. I am not sure you could ever get too much of Keeyla–from her cowboy boots and headful of springy curls to her color rich garden and whimsical sculpture she revels in her life filled with art and nature.

KEEYLA MEADOWS GARDENS & ART IN ALBANY

GC EB keeyla 1

Keeyla makes her home and some of her art in this 1910 wood framed bungalow on a small lot in a cozy neighborhood where I imagine everyone knows everyone else and someone probably periodically drags their grill out front for a block party. There is no doubt that this colorful house is the home of an artist! Keeyla works in many mediums–bronze, paint, ceramics and of course, plants plus all the other elements which enhance gardens. Her uninhibited use of color makes her gardens giant scale works of art.

GC EB keeyla 2

Gardens themed with the use of saturated color are like living color paintings!

GC EB keeyla 29

Keeyla has changed the dynamics of her once flat front garden with huge slabs and boulders of native stone which she used to create drama and additional square footage in a small space. Rocks add stability and the varying elevations add interest. In addition to the time I spent in Keeyla’s garden on my own, I took part in her Digging Deeper presentation along with about 25 other tour goers. The walking workshop opened our eyes to her design process and how to translate our personal color preferences into tangible form in our own gardens. I’ll try to weave bits of that workshop in amongst the garden pictorial. The exuberant gardening lady above is one of many figures created by Keeyla throughout her garden.

GC EB keeyla 3

A bronze couple bids you welcome and marks the way to Keeyla’s back garden. This would be a good time to buckle up!

GC EB keeyla 8
Garden gate forged by Keeyla
GC EB keeyla 9
Narrow stone path takes you into the heart of the garden

GC EB keeyla 4

As the space opens up the raised porch leading to Keeyla’s door (she doesn’t use the front door!) is to the left and on the right this small roughly circular patio area sports an Alice in Wonderland glass table and fairytale benches for casual dining. Several of the huge boulders found in this area were originally destined for further back in the garden and if the crane man could have gotten them over the house to place them Keeyla would have been able to have the larger friends and family outdoor table and chairs she longed for. The boulders in their current placement form a sort of second story planting opportunity–taking the plant materials up in layers.

The side wall of the small garage offers a backdrop that invites this fanciful gardener to join in any group gathered around the table.

GC EB keeyla 10
Ceramic works grace a stone topped console
GC EB keeyla 16
Cast stone retaining walls work in tandem with large boulders to create the garden’s varying elevations–this vignette is adjacent to the blue ceramic fruits seen a few photos back
GC EB keeyla 27
One of Keeyla’s many color themed ceramic pots–this one has my name written all over it!

GC EB keeyla 15

Just a step away is an ornate forged arch…

GC EB keeyla 17

…and another of Keeyla’s fanciful bronze sculptures.

GC EB keeyla 19

Looking back from the arch, the checkerboard porch leads to Keeyla’s kitchen where she was preparing a special snack for her Digging Deeper participants.

GC EB keeyla 13
Flowing skirts are an oft-explored subject, these fashioned in metal
GC EB keeyla 12
Faces, purses and sunglasses, too

Let’s stop my own ramble for a moment to peek in on parts of Keeyla’s Digging Deeper workshop.

GC EB keeyla 30

Because our group was quite large and there were still many visitors in her small back garden Keeyla gathered us up and we stepped across the street to the driveway plant sale captained by master plant propagator Susan Ashley. She began the discussion by throwing out the question, “What function do you want your garden to serve in your life?”, and many participants voiced hopes specific to their own spaces including: respite, recreation, dining, entertaining, growing food, providing habitat for wildlife and making an appealing environment for pollinators. Keeyla used plants from the sale to make suggestions filling various roles in the garden.

GC EB keeyla 31

I think I’ve already convinced you that Keeyla loves a big rock–not just for defining spaces, creating visual interest and multiplying available planting space but also for a good podium from which to address us all. What is not really visible either in this shot or in similar ones at the beginning of the post is that Keeyla has placed HUGE squarish slabs of rock almost directly against the railing (or maybe wall?) of her front porch. This once very flat front yard has tremendous dimension now and is home to hundreds of plants. The curb appeal of her bungalow is not the structure itself, but the garden which almost obscures it. She is in the gradual process of changing over the plant materials in the front garden to emphasize natives and already many of the reseeding native annuals are making their presence known.

We take a few step walk to what was once her driveway, now home to many large planters of edibles which are favorites of the neighborhood children, then we take the back garden by storm! Keeyla explains that each area of her garden has a color theme and that she designs using a tool she has dubbed as a ‘color triangle’, sort of a reinvention of the traditional color wheel. Keeyla has written two books: Making Gardens Works of Art (Sasquatch Books 2002) and Fearless Color Gardens (Timber Press 2009)–it is in Fearless Color Gardens that she lays out the color triangle process as a tool to create both harmony and contrast. She challenges us to select a color–red, blue, green, yellow–and walk through the garden gathering flowers and leaves in all tones and variations of that color.

GC EB keeyla 45

GC EB keeyla 46

Not the greatest photos in a small space filled with many participants (and quite dark with the red painted ceiling!) but we lay out our gatherings using red, blue and yellow as the triangle’s points, then layering in the combinations and gradations as on a color wheel. The flowers were a great visual to see how color combinations can create both harmony and drama in your garden.

GC EB keeyla 47

Our garden findings made a great backdrop for the lovely mixed fruit tart Keeyla had made for us along with several other healthy bites. I didn’t think to take any photos of them but we ate our shared meal on a variety of Keeyla’s one of a kind original plates in all colors and designs.

GC EB keeyla 48
A peak at some of Keeyla’s vibrant paintings stacked up in what would be her living room
GC EB keeyla 33
Back to wandering the garden–annuals, perennials and succulents all live companionably

GC EB keeyla 34

An exquisite forged arch dripping with delicate angel’s trumpet blooms stands in tribute to the living plant barely seen to the right. This was perhaps my favorite piece in the garden–delicate and organic. I would love to have an arch like this over my half height interior garden gate.

GC EB keeyla 20
The yellow angel’s trumpet–inspiration for the arch or added because of the arch?
GC EB keeyla 35
A little closer view of the arch
GC EB keeyla 44
This raspberry clematis scrambles up to meet the forged bronze flowers

GC EB keeyla 38

A raised path just beyond the beautiful arch leads to one entrance of Keeyla’s garden art studio and its yellow and purple themed garden.

GC EB keeyla 40

GC EB keeyla 43

GC EB keeyla 42

GC EB keeyla 39

GC EB keeyla 41

GC EB keeyla 37

These last six photos from the yellow and purple garden where taken by simply standing in place and making a 360 degree circle–it is a very small area but packed with plants of all textures and sizes–each chosen for its ability to contribute to the color theme.

GC EB keeyla 52
The garden studio
GC EB keeyla 53
Several of a series of dresses-not sure if these are ceramic or real dresses which have been coated with something to allow each to stiffen as Keeyla has arranged it

GC EB keeyla 21

Leaving the studio through French doors which face the interior of the garden there is  a rock waterfall whose ‘banks’ are canvases for arrangements of huge filled pottery and all manner of blooming color. The pink and purple bench offers a spot to not only relax but view the design from uphill looking down.

GC EB keeyla 23
A wire bird perched on the studio’s roof sips nectar from a wire bloom
GC EB keeyla 51
Bronze figure tucked amongst the bank plantings
GC EB keeyla 22
Close-up taken while perched on a big boulder!
GC EB keeyla 18
Looking back toward the studio

GC EB keeyla 49

Hands down my favorite part of the garden–possibly because my color preferences tend to not be as bold as Keeyla’s and more so that she designed this pastel corner in memory of her mother who taught her about flowers and encouraged her interest in the natural world. The hues of the lavender, pink and yellow mosaic bench are echoed, in larger scale, in the mixed media floor beneath it. This garden room lies directly behind the bungalow and is visible from her kitchen window.

GC EB keeyla 50
A motherly angel hovers over a mosaic background
GC EB keeyla 24
The art installation–reminiscent of a shrine–is topped with a wild haired girl/woman
GC EB keeyla 25
Closer look at the mosaic
GC EB keeyla 26
Pinks and lavenders reign in this part of the garden but Keeyla always loves a pop of yellow

Keeyla Meadows believes that gardening is an act of gratitude–appreciation for all that nature has given us. Her reverance for the natural world and acknowledgment of how small a part each one of us plays in the whole is expressed in her garden and her art. She is young at heart, exuberant, and generous with her skills and talents. I aspire to having a piece of her work grace my garden and it would be all the more special by having spent a little bit of time with her at both Urban Adamah and in her own personal space. What could be better than a gallery in a garden?

Keeyla’s website http://www.keeylameadows.net has many close-up photos of her art in all her mediums plus gardens she has designed. I encourage you to visit it whenever you feel the need of a smile that you can’t seem to come to on your own! Contact Keeyla at keeylameadows@gmail.com if you would like to make arrangements to see her garden in person next time you are in the Berkley/Albany area. Please note this a correction for those who may have read the original post a few days ago–Keeyla’s garden is no longer open on Sunday afternoons as stated on her website.

NOTE: those of you who have been counting the Garden Conservancy Open Days East Bay posts will know I am one short, having presented only four of the five. I am going to keep the last one in reserve for a dry spell when I am not traveling anyplace interesting and my own garden is not worth writing about. Tomorrow I am off on a road trip with garden girls Ann D. and Glee M. to Greenwood Daylily Gardens in Somis, CA. Wednesday next I fly to Denver for the Garden Bloggers Fling in Denver, Colorado–three and a half days of non-stop private and public garden touring with lots of food and fellowship mixed in. Having only been stranded in the Denver airport in a blizzard and never actually in the city I’m taking an extra day before and one after to allow me to see as many sites as possible. I’m gonna be in a Denver Daze…I’m sure.

 

 

 

 

 

 

 

 

 

 

 

Easing into the East Bay…aging gracefully

When the Garden Conservancy Open Days Directory arrives in the mail each April I can’t wait to read through the descriptions of the gardens included on any of the California days which I have already penciled in on my calendar. This garden preservation non-profit offers regular gardeners like you and I entre into beautiful private gardens to which we could never hope otherwise to have access. I don’t know if each garden’s preview paragraph and title are written by staff or by the homeowner but they always offer highlights not to miss and often historical information which enhances the visitor’s experience in the garden. Rarely are the profiles overstated–in the case of this third garden on my whirlwind Saturday in the East Bay–the title, at least, was understated. We all should be aging as gracefully or have lived as colorful a life as this garden has.

Having no real familiarity with Berkeley I was unaware of the the Hotel Claremont and its role in the development of the well-heeled, quiet residential streets which surround it. As I entered the area from south of the hotel I did not even see it until I had left the garden and then, having caught a glimpse as I was making a left turn, had no way to even take a quick photo for those of you who do not know it. I found this unattributed photo below to give you a flavor of its style.

GC EB hart 70

Let me briefly tell you the tale of the home which this next garden graces as a way to set the scene to view that garden as it is today.

The Claremont Hotel was built on land formerly known as the Palache and Garber Estates, high in the Berkeley Hills. The vision was for a tourist hotel surrounded by 14 acres of park-like gardens, all seen from vistas around the Bay. The surrounding gardens were to set the scene for and encourage the building of beautiful homes in the adjacent gently rolling hillsides. Train and ferry systems recently developed would connect the East Bay to San Francisco, opening the area for refined suburban living by those who could afford it without limiting their access to doing business in the city. Residential lots would be large with significant setbacks, encouraging picturesque and park influenced front gardens. Ground was broken in 1906 and the hotel largely finished in 1915 after a number of financial issues and, ultimately, its sale to another owner.

Ten subdivisions of residential lots were released between 1905 and 1907 and many palatial homes in a variety of styles were built long before the hotel itself was open. The 4th release of lots was called the Hotel Claremont Tract and Mr. Howard Hart stood ready to purchase its prime lots, #1, #2 and #3 on which he planned to build a massive home in the Spanish and Italian renaissance style. These lots lay just southeast of the hotel on a street which curves back upon itself so tightly that they had street on all sides save the southernmost. Think of the letter U laying on its side–the curve of the U faces the Claremont and it would be prominent in the views of the 43 room manse. Lot #2 & #3 would allow room for a conservatory, ample gardens and chauffeur’s quarters built over garage space. Mr. Hart had made his fortune mining gold in the Klondike and no expense would be spared in the building of his new estate.

The first structure to be built on the property was the garage and its second story apartment. Built on Lot #3 with easy access to the street via a long curving driveway, this garage and the portions of the gardens developed adjacent to it are all that remains of the grand Hart estate completed in 1912. The balance of the estate has long since been divided again into smaller lots, now having homes of their own. Additional parts of the garden have been preserved at two of these homes but are not visible from the street.

THE HART GARAGE GARDEN IN BERKELEY

GC EB hart 1

The current homeowner has characterized the property as “the ugly duckling in the neighborhood” and admits that she refused to even look at it when it came on the market. Neither the home (ok, the garage) nor the remnants of the once fabulous garden are visible from the street. There is nothing remotely translating to a “front door.” Living in an area starved for anything green and especially mature trees I knew it had to be beautiful back in there somewhere!

GC EB hart 3

As you walk up the driveway there are lovely, primarily green borders undulating amongst lawn areas. Tall trees provide shade and shadows which only enhance the almost fairytale feel.

GC EB hart 6

Classic  boxwood globes enclose a spot filled with calla lilies, bergenia and oak leaf hydrangeas.

GC EB hart 2

A lovely open sunny spot.

GC EB hart 7

Cool and refined–perhaps what the Claremont Hotel builders had in mind?

To the right of the very wide drive is this first peek at the sweeping staircase leading to the apartment over the garage. the Harts lived in the apartment while the main home was under construction and perhaps that is the reason for such a grand staircase entry for a living space to be used as chauffeur’s quarters. Tall spires of Acanthus mollis are nestled in a very small footprint at the base of the stairs and what I think is a Phormium with its bronzy leaves is taller than I am.

GC EB hart 8
My next chauffeur is going to want a balcony after reading this post
GC EB hart 5
The grape leaf ivy has had its way with the stucco walls and softens what is a really majestic facade for garage
GC EB hart 9
View from the car park
GC EB hart 4
Looking at the stairs straight on–note the reddish brown foliage of a mature copper beech

I believe this open space leads to what was at one time the entrance to the lower area called “the pit” where car repairs were done. Directly to the right is a large paved area with parking for multiple cars.

GC EB hart 10

A steep terraced slope filled with roses and edged in boxwood makes the transition from the concrete parking area up to the garden’s next level. The gaily black and white striped umbrella is one of several throughout the garden.

GC EB hart 12

An interesting iron gate leads marks the stairway to the upper garden entrance.

GC EB hart 11

From this angle you can see a bit of the arch belonging to the estate’s original porte-cochere which had been totally enclosed in an unfortunate past remodel. The current owner restored the porte cochere and cut in the wide staircase for easy garden access.

GC EB 14
Wisteria trails off the restored porte cochere

The next terrace runs fully across the garden and is home to another original garden feature-the pergola.

GC EB hart 19

The sweeping pergola appears to have once connected the conservatory and farthest gardens to the main house. Sturdy circular columns support crossbeams cloaked in vines and lit a night. At the end you can see the current property line. I couldn’t tell if any of the pergola remains in the adjacent garden. Parts of this walkway needed replacement and the current homeowners commissioned custom brick, including its unique beveled edge, to make the best match possible.

GC EB hart 13
Pergola hanging lanterns

GC EB hart 27

Slightly downhill from the pergola is a lovely shaded sitting and dining area carved out of the existing shrubbery beds. The homeowner removed a wide swathe of old hydrangeas, added a couple of stone steps down and a gravel floor. She shared with us that this small change is one that made the most impact on day to day life in the garden.

GC EB hart 16

The former flower bed is now home to a casual teak dining table and chairs on which she had placed welcome snacks and beautiful floral arrangements using materials from her garden.

GC EB hart 28

This was a wonderful spot to relax for several minutes and look over materials detailing the history of the home and garden and some of the most recent renovations. The lady of the house was in the garden answering questions and made sure we didn’t miss this shady haven. Thank you to her and to the Berkeley Architectural Heritage Association for a wonderful booklet from which I took many notes from to be able to give you the area history which lead off this post.

GC EB hart 17
One of many interesting potted combinations
GC EB hart 18
Really good view of the restored porte-cochere from the pergola
GC EB hart 20
Would have loved to see the vista from this roof top balcony

GC EB hart 40

I stepped through the pergola on the uphill side to enjoy a long and narrow koi pond built in a classic style with water softly trickling from an embedded fountain.

GC EB hart 41

A shady resting point at the far end of the koi pond shelters a marble statue which was found under layers of greenery and dirt when the garden was renovated. The black and white stripe fabric playing off bright green backdrops is a theme carried through the landscape.

GC EB hart 43
View from the koi pond through the pergola to the shady seating enjoyed by garden visitors

GC EB hart 39

Clipped boxwood hedges and tall, pale roses soften yet another retaining wall holding back the significant slope.

GC EB hart 38

GC EB hart 31

GC EB hart 42

The slope on the koi pond end of the garden is more shady and more formally planted. These sculptural tree trunks and their leaf canopies shield the pond and its dual chaise lounge resting spot from the vista when you are high on the slope.

GC EB hart 32

Out of the shade of the trees the slope plantings become more eclectic and more waterwise/sun tolerant.

GC EB hart 37

There are lots of small succulents in the foreground. The plantings disguise the packed gravel and stone paths that zigzag their way up the hill.

GC EB hart 36
Sturdy stone steps were cut in to allow access to the hillside

GC EB hart 33

At the garden’s opposite, end bistro seating is placed in front of a small stone fireplace.

GC EB hart 35

A peak through the gate next to the fireplace reveals a steep slope packed with agapanthus, bellflowers and cast-iron plant. A stepping stone path leads to who knows where?

I use the set of stairs closest to the fireplace to ascend the hill. Paths led both forward and to the left. Which way to go? I am going to wander my way up and across–let’s see what I find!

GC EB hart 45

Large scale phormiums and fat agapanthus clumps cover a lot of real estate near the fence. This was one of only a few places where any other house (even the roof) could be seen. The sense of enclosure and privacy was wonderful–definitely in your own little world in this garden.

GC EB hart 47
Heading up the path
GC EB hart 49
Nasturtiums meander around an artichoke right off the path

GC EB hart 59

Reaching the uppermost cross garden terrace path I am in deep shade surrounded by acanthus, ferns, camellias and other low light classics. The home you can barely see in the background sits on a lot which was once part of this garden.

GC EB hart 51

Looking across the garden pittosporum brighten up the shade and are clearly trimmed to keep them quite low. Much of the uphill side of the path is built up even further with rocks.

GC EB hart 52
Succulents are pocket planted amongst the piles rock wall
GC EB hart 58
Looking back where I have already been and moving into the more shade side of the garden
GC EB hart 56
View of the garage turned dream home from the garden northwestern most corner filled with pale pink roses doing just fine in lower light
GC EB hart 60
Looking down on the property line end of the koi pond
GC EB hart 64
Leafy koi pond shade cover has plenty of space to add in shady annuals and ground cover
GC EB hart 62
Perfect home for a cymbidium orchid
GC EB hart 63
Surrounding ground cover obscures the pot
GC EB hart 65
Shade again gives way to sunshine 
GC EB hart 48
Roses and perennials meander companionably with succulents and edibles
GC EB hart 46
Pittosporum makes another appearance as an edging plant
GC EB hart 68
As close as I could get to the upper floor living space–significant remodeling included period appropriate windows and doors

GC EB hart 66

I am just about back to where I started my wandering adventure.

GC EB hart 26
So many artful presentations…
GC EB hart 29
…and arrangements

Beautiful roses, most but not all pale in hue, are a mainstay in this garden along with many classic plants from the era the Hart Estate was built.  Many decades old shrubs, trees and perennials were refreshed adding to the mature feel of the space. The traditional mixes freely with succulents and salvias. The terracing of the slope provides ground to grow many much more plant material than if the slope were simply graded. The multiple paths spanning the entire width of the garden lead you to believe you have walk very far from home when, in fact, you are only a few feet away.

This garden is up there in my top ten private gardens I’ve seen on countless tours over a decade. The mixtures of formality and playfulness, old and new, leafy and spiny are all very appealing. Regardless of its size and complexity it feels like a manageable garden, in part due to the casual but not messy attitude of the terraced slope. The shady seating and dining housed in the reformed hydrangea bed and the serene koi pond are both perfectly done. I would have loved to have seen the restoration of the interior space; wiping out the sins of the 80’s and reforming it from garage to beloved family home over the span of seven years. I’ll be watching the Berkeley Historical Architectural website http://www.berkeleyheritage.com for any interior tours in the future. A++ on this one!

Need to know anything about the Garden Conservancy and its work? Go to http://www.gardenconservancy.org or just Google Garden Conservancy.

GC EB hart 69

As I walked the narrow street back to my car I noticed this tiny arched door on the southeast corner of the HART GARAGE–another mystery I look forward to solving!

 

 

 

Achillea ‘Peter Cottontail’ PPAF…

I paid a visit to an acquaintance the other day–that is, a garden center I had not shopped at in about 7 or 8 years. Sierra View Nursery on Academy Ave. is about as far east in Clovis as I am west in Fresno and almost requires me to take a canteen and pack a lunch! I had purchased a couple of Blue Point junipers there when we first started renovating our current garden but found nothing else compelling enough to make many return trips since then.  After chatting about salvias with Adam Steinkraus who does our lawn weed control, his recommendation of the nursery prompted me to take another look.

cottontail 1

The planted vintage pick up truck ‘driving’ through a sea of ground cover roses was worth the trip all by itself.

cottontail 3

The grounds have changed immeasurably since I was there years ago. My recollection is of an open air space stocked with mostly shrubs and trees plus some edibles. They now have an extensive selection of perennials and natives and it appears they grow a fair amount of their own stock.

cottontail 4

Yarrows, salvias, penstemons, oh my!

cottontail 2

I recently saw this unusual foxglove on a garden tour and was excited to be able to put a name to it: Digitalis Foxlight™ Ruby Glow, apparently one of a series of exciting new foxgloves.

cottontail 5

I also was excited to see a yarrow similar to one I had seen on my tour of Urban Adamah in Berkeley (Digging Deeper with Keeyla Meadows at Urban Adamah…) which Landscape Coordinator Emily had been momentarily unable to identify. Most of my yarrow experience has been with the ferny-leafed Achillea millefolium which is available in a number of pastel and hot color shadings. New to me is Achillea ptarmica. It is native to Europe and Asia and is a more erect plant having deep green, narrow finely toothed leaves. The flower heads are born singly rather than in the flat clusters of common yarrow and are larger at about 1/2″. I think the foliage will provide some contrast to the mostly gray green plants in the new lawn free front garden areas. Above you can see one of the two I added to those beds.

cottontail 6

The Achillea ptarmica ‘Peter Cottontail’-ish button flower heads will add a bright white pop to my purple, blue, pink palette. Who could resist a plant which evokes the playful and whimsical feelings every cottage garden needs?

So, take time to visit someone whom you never got to know well enough to realize you have so many interests in common…even if you have to pack for a road trip.

Digger’s Speedwell…

My out of town garden tour junkets provide me with lots of opportunities to shop at both botanical gardens and retail garden centers all over California. Although I am a believer in purchasing plants grown locally or in conditions easily adaptable to my garden we have very few such resources in my community. Our few independent retailers are good but don’t often venture out past the stock selections used all over the Central Valley–sort of an “if it’s not broken, don’t fix it” attitude. True be told garden centers will only select and stock what people will readily buy–it’s not realistic to ship in lots of niche plants which may not sell. So I travel..I look at everything everywhere I go…and always come home with a few new plants to try out.

On my second trip to the East Bay area in 3 weeks I left an extra hour early to be able to do some shopping at the East Bay Nursery on San Pablo Ave. in Berkeley. I’d stopped there briefly on my first trip and came back prepared with a short list of hopeful garden additions. A few bits and pieces, not on the list, sneaked their way into my cart!

diggers 1

Meet Parahebe perfoliata, common name digger’s speedwell. I did a quick Google on this and decided it was worth try, if only for the eucalyptus like leaves and nodding racemes of small blue flowers. I have Parahebe catarractae (below) elsewhere in the garden and it is a very small woody subshrub with small green leaves and white flowers bearing a red eye. Given the stark differences I did a little more research when I arrived home.

diggers 6

The parahebes were formerly classified as genus Hebe and before that as genus Veronica–now the cloud’s are lifting a bit. Speedwell is the common name for perennials in the Veronica genus. Apparently the shrubbier ones were split off of the classification for the softer herbaceous perennials, then the smallest, or subshrubs, were split off yet again. Are these folks lacking for other productive work??

Both my parahebes are from down under–Australia for the new one (hmm…eucalyptus like leaves) and New Zealand for the little white one.

Digger’s speedwell is low growing to about two feet with a graceful arching habit. The evergreen foliage of rounded blue-gray leaves clasp the stems in opposite pairs making it a handsome foliage plants and giving rise to another common name in the literature, shish kabob plant. The flowers are set on new wood so pruning for shape and density is best done mid-summer.

The terminal spikes of veronica-like blue flowers produced in April or May are airy but heavy enough to give the racemes a nodding look.

I’m going to pot this little shish up and try it in a few places in the front garden, close enough to paths to not get lost or overrun but with enough neighbors for its flowering stems to have a little support and stay off the ground. Full sun or light shade is recommended and as with most Australian specimens, good drainage is essential.

I can also be drawn in by a good story on a plant label–I picked up this new little sage labeled Salvia ‘Rohana’s Angel’ grown by emerisa gardens (they don’t capitalize either word.) This was a chance seedling found amongst Salvia greggii, S. microphylla and Salvia x ‘Mesa Azure’ and thus its parentage is unsure. It’s a little one so I can tuck it in anywhere.

diggers 5

This bubble gum pink baby sports a little white edge on its lip and is named after the wife of the founder of emerisa gardens. Emerisa is a family run-wholesale nursery in Santa Rosa, CA that has seasonal retail hours from March through November. They specialize in four-inch plants emphasizing hardy and unusually perennials, herbs, ornamental grasses and succulents and have long been on my road trip list. Check them out at http://www.emerisa.com if you find yourself in the vicinity!

Digging Deeper with Keeyla Meadows at Urban Adamah…

The last day of my long Bay Area weekend was devoted to a Garden Conservancy Digging Deeper program at Berkeley community farm Urban Adamah.

Adamah 1

Urban Adamah was founded in 2010 by Adam Berman as the first urban Jewish community farm in the United States.  The farm’s seeds are rooted in a Connecticut farm-based residential leadership program. Adam envisioned an urban farm that would provide a fellowship program, offer Jewish agriculturally based experiential programs for youth and families, and contribute to food security in the East Bay. The farm moved in 2016 to its permanent home near Codornices Creek in Northwest Berkeley after  five years in a temporary location. The word adamah in Biblical Hebrew means ground or earth.

Adamah 13

A little hard to decipher as the metal sign over the entrance has aged–it reads “Love…all the rest is commentary”.

Berkeley artist and landscape designer Keeyla Meadows was brought in to design a city required swale when the 2.2 acre parcel was a blank slate. She went on to design the Pollinator Garden, the Children’s Garden and work with staff as other parts of the garden have been developed. Keeyla (on the left below) and Emily, the Urban Adamah Landscape Coordinator were our guides.

Adamah 20

We gathered in the center of a large circular planting bed to learn a bit about the farm’s history and philosophy. The core tenants of Urban Adamah are stated in this Mission Statement: “Urban Adamah seeks to build a more loving, just and sustainable world. We ground and connect people-to themselves, to others, and to the natural world. We do this by providing farm based, community building experiences that integrate Jewish tradition, mindfulness, sustainable agriculture and social action.”

Adamah 21
As we start our day together, Zumba teacher Kat leads us in noticing our surroundings and getting in touch with the wind and sky

Keeyla points out that almost every area of the farm has a central open area designed for small groups of people to meet and build relationships. This was a specific request made by Urban Adamah’s founder–places to gather as a community must be plentiful, welcoming and comfortable. The farm is open to the public most week days and is a lovely environment in which to enjoy the outdoors and observe nature at work–plus volunteer workers are welcome! We will explore most of the farm’s major areas, stopping to observe the plantings and ask questions as Keeyla and Emily share the design philosophy and challenges in developing this very young garden.

Adamah 25

We start at the Blueberry Meeting Circle where a ring of sturdy upright logs provide both seating for us and a podium for Keeyla.

Adamah 24

Without sharp eyes you might miss the ring of blueberries planted around the meeting circle, nestled amongst freely self sowing California poppies. Several native penstemons, blue-eyed grass and salvia also make their home here along with many Douglas iris.

Adamah 26

Gardeners are good multi-taskers. As Keeyla describe the soil building and design process for this area, one of our group pulls weeds as she listens. The farm is organic and weeding is a never ending task, especially in areas where self-sowers are allowed to have their way.

The Blueberry Meeting Circle is a charming front garden to the Aquaponic House where four levels of plants are stacked, producing lettuces, basil and other leafy greens.

Adamah 27

adamah-30.jpg

This buttery lettuce is planted with only a small amount of bark like material and its roots reaching down into the water below.

The bottom trays now hold a variety of plants being grown for their leaves textural experience, such as the gigantic Gunnera leaf and the surprising soft, almost furry, leaf of its neighbor.

Adamah 31

This tank is home to fish whose waste provides the natural fish emulsion nutrients to the plant via the circulation system of pipes.

We circle out of the Aquaponics House and return to the Blueberry Meeting Circle, a great vantage point to see the full length of the Urban Swale. the farm is adjacent to Codornices Creek which is in the midst of a civic restoration plan. The city of Berkeley required the installation of a swale on the farm’s property to prevent runoff of both rainwater and farm waste water into the creek.

Adamah 34

The Urban Swale, planted entirely in California natives runs from just beside the Blueberry Meeting Circle and along the farm’s front fence line almost to the entry gate.

Adamah 33
Hummingbird Sage

Hooker Creek boulders and Sonoma stone were brought in to form the bank stabilizing structure of the swale. Plantings were designed in repeating color bursts to keep your eye moving down the length of the swale. Keeyla calls this ‘weaving color’ throughout a space. Native plants requiring more moisture are planted lower on the bank while the more drought tolerate plants are higher up. The shape of the swale allows accumulated water to percolate slowly back into the ground. Keeyla’s choice of native plantings in part was to relate the swale to the creek and to honor the area’s indigenous peoples and their stewardship of the land.

Adamah 68
A little closer look at the beehive end. Notice the enormous Verbena ‘De La Mina’!
Adamah 35
Visitor to the ‘De La Mina’

Several varieties of California poppies were included in the original sowing of reseeding annuals. Subsequent seasons have produced some interesting color variations as the result of natural hybridization.

Adamah 37
Looking back as we wander the Urban Swale
Adamah 36
Fledgling bee colony
Adamah 11
Looking across the farm from the Urban Swale end

Adamah 10

As we walk to the far side of the farm to see the Pollinator Garden, Emily shares that this Administration Building was the first permanent structure built on the site; a great accomplishment after five years of a trailer office. The passionflower vines on the office trellises (and on the fences in the Urban Swale) were a concession to a former farm colleague who was instrumental in the early planning days. He loves passionflowers and would regularly harvest the fruit for use in tea and other edibles.

Adamah 12

Urban Adamah gives away 90% of the food it grows. The remainder is used on the farm for events and for use by residents of the farm. They host a weekly farmer’s market for anyone who needs food. Local grocery stores, including Whole Foods, contribute goods not yet produced on the farm. At any given times throughout the year they will produce all kinds of vegetables, herbs, stone and pomme fruits, potatoes, onions, eggs and milk.

Adamah 32

Adamah 8

Crops are rotated regularly–vetch, Fava beans and crimson clover are planted as nitrogen fixing cover crops to be tilled back into the ground (after bean harvest, of course).

Adamah 38

Adamah 6

The Pollinator Garden is our next stop–a melange of seasonal veggies surrounded by plants chosen specifically for their attraction of certain pollinators. Emily worked closely with Keeyla on the implementation of the design and credits this garden as awakening her desire to not only plant, but also be a designer. As we visit not much is in prime bloom. Emily explains what different shapes and colors are attractive to specific kinds of pollinators–tubular for the hummers vs flat for the butterflies, etc.–and the importance of having something for everyone if you want to maximize pollination.

Adamah 39

The Children’s Garden entrance is home to arbor seating–I haven’t been counting seating areas but I’m sure there at least 10. A young vine is on its way up to give visitors some shade while they get to know each other.

Urban Adamah has a full schedule of family friendly activities, including summer camp. The goals for children are the same as for adults; to build community; to foster Jewish traditions; to learn and practice sustainable agriculture and living.

Adamah 42

The Children’s Garden is only a stone’s throw from the creek and has its own swale to serve the same purpose as the first built Urban Swale. Keeyla also designed this garden and the swale is similar in planting with the exception of possibly more native wildflowers–sowing seeds is a popular activity on this side of the farm. Here you can see the swale emerging from under the bridge to the Earthbench meeting place.

Adamah 44

With the guidance of an educator from the Peace on Earthbench Movement (POEM) children built this garden gathering space using plastic bottles and other recycled materials over several camp sessions. Locally based POEM’s international mission is to encourage youth to turn plastic waste into artistic community gathering places. This is a project I would want to participate in–what fun!

Adamah 41

Looking down the Children’s Garden swale you see art created by children and displayed on the fence.

Adamah 43

Adamah 46
A surprisingly unafraid hummingbird

Leaving the Children’s Garden we pass a newly constructed grape arbor tucked up against the street side fence.

Adamah 48

Adamah 64

As yet unplanted, the arbor will be home to several grape varieties (you can see the barrels just outside the fence awaiting the vines) for a nascent partnership with the kosher winery directly across the street. The structure was built by local Eagle Scouts–notice every section has seating for several people.

We make a quick detour to the goat pen to meet Lev and Ivy and give them a snack pulled right from the field–and right in front of the Do Not Feed the Goats sign.

These two clearly recognize Emily and know she comes with goodies. They will not let her out of their sight!

On our way to talk about the Seven Sacred Species Garden we stop for a brief art activity. Keeyla has provided us with paper, colored pencils and markers, and string and asks us each to make a wish or a prayer to hang on the farm’s olive tree, telling us our thoughts will be released into the wind. The olive tree is the farm’s focal point, visible as soon as you enter the gate. A universal symbol of peace and one of the Seven Sacred Species, this tree was 42 years old when it was selected for the farm 18 months ago and the variety is one preferred for its oil. It actually sits mounded high because the farm’s electrical and water utilities are underneath it. Rocks were added to stabilize the raised planting area. I’m not sure how much of an olive oil crop you can get from one tree but I’m giving the farm extra credit for covering all the bases.

Had to make a quick trip back to the goat pen to retrieve an errant paper prayer from Ivy!

Adamah 54

The Seven Sacred Species are plants which deeply link spiritual beliefs to the natural world and play prominent roles in the Bible. They are olive, fig, date, wheat, barley, grapes and pomegranate. It was important to the farm’s founder to include these species on the farm and at this writing they have 6 of the seven, lacking only barley.

Several are represented around the entry gate.

Adamah 57
One of several young fig trees on the farm
Adamah 56
Pomegranate in the background–in the foreground is Etrog, a yellow citrus used during the Jewish holiday Sukkot
Adamah 58
Grapes will cover the entry trellis

There is a lone date palm near the Blueberry Meeting Circle and wheat planted in the crop beds. It is fitting that these species closely linked with the Bible would be at home in this place deeply rooted in Jewish traditions.

Our group had thinned a bit by now–many, including me, did not know the extent of the experience and had planned for less time. Those of us remaining took a break to gather fresh herbs, berries, greens and edible flowers to add to salad ingredients Keeyla had provided.

Adamah 60
A fresh dressing was made…
Adamah 62
Our table was set…

Adamah 61

Keeyla had made grape leaf dolma stuffed with barley and currents, polenta, small white pastries with dates, and a blueberry tart. A wonderful challah was the highlight for me–delicious.

Adamah 63

We filled our plates and gathered at a circle of benches to break bread and get to know each other a little better–exactly what Urban Adamah founder Adam Berman would have wanted.

This day was a wonderful experience and I would encourage anyone in the vicinity of Urban Adamah to take a few minutes to see the farm. I will close with a few more photos and several websites for you to get more information if you desire.

Here we go–

For more information about Urban Adamah, its mission and programs go to http://www.urbanadamah.org

For more information about Keeyla Meadows, her art, books and gardens go to http://www.keeylameadows.net

For more information about Garden Conservancy Digging Deeper programs go to http://www.gardenconservancy.org then click on Open Days, then Digging Deeper

For more information about the Peace on Earthbench Movement go to http://www.earthbench.org

Adamah 2

Gamble Garden Spring Tour 2019…the last two gardens

EAST MEETS WEST

The owner of this historic Professorville cottage in Palo Alto wanted a garden to honor his father’s garden in the family’s native Vietnam. The result is an eclectic mix of tropical and traditional plants nestled amongst paths, gates and art pieces fashioned from driftwood and salvaged antique bricks.

Gamble drift 1

The fully enclosed front garden is a potpourri of shrubs and vines nestled underneath a canopy of mature oaks.

Gamble drift 4

The first of many unique driftwood creations crafted by the homeowner greets visitors near the front gate.

Gamble drift 2

Gamble drift 5

Mature rhododendrons grace the front walk–the only ones I saw on the tour this year.

Gamble drift 3

The piece of driftwood perched atop this gate’s frame is reminiscent of a bird stopped for a rest on its daily travels.

Gamble drift 7

Multi-colored antique bricks laid were laid in sand to make this rustic path.

Gamble drift 7

A vine covered arbor..

Gamble drift 8

…and another driftwood gate open onto a brick path to the back garden.

Gamble drift 9

The back garden features a brick floor with accents of stone and driftwood. The single sunny spot in the garden is home to a raised planter with its own ‘found wood’ fence.

Gamble drift 10

A raised gazebo is dressed in driftwood style and its comfy couch offers a great view of the garden.

Gazebo details

Gamble drift 15

A huge orchid in bloom,  Dendrobium  kingianum, is perched atop a waist high stump.

Gamble drift 14

Gamble drift 13

A rock waterfall, once part of a koi pond whose inhabitants sheltered under the raised platform of the gazebo, is home now to tropicals and ferns. The pond itself is now a brick floor, a bit of which you can see in the lower right corner.

Gamble drift 16

A neat stack of materials stands at the ready for future projects! The beauty of this garden for me was the homeowner’s obvious affinity for the space and enjoyment in creating his garden with his own hands.

A FEAST FOR THE SENSES

As much as I admire landscapes with sophisticated green and white palettes, perfectly poised pots, and every detail dedicated to the theme; I am at heart a gardening girl who loves a riot of color and texture, prefers her shrubs in naturalistic shapes and adds things to the garden just because I want to try them out rather than that they fit some prescribed color or category. This last garden of my day on the tour spoke to me in terms I not only understand but see as achievable and possible to maintain in my slightly messy, do what you will vibe.

Gamble senses 1

My dream home and garden would be an authentic Spanish bungalow tucked behind wonderful courtyard walls–a little bit of public garden street side and the rest of it  nestled privately inside where I could play to my heart’s content in raised beds reached by stone and ground cover paths. Although the garden of this third generation landscape professional is very visible from the street side, it checked almost all my design boxes.

Gamble senses 3

Red brick walks are the front garden’s floor and series of geometric beds harbor most pf the plants. The raised beds are capped with red brick and are perfect sitting walls. I love a good sitting wall!

Gamble senses 4

The beds have a definite East coast influence is throughout and are densely planted with a mixture of roses perennials coming in and out of bloom amongst a formal structure of evergreen shrubs.

Gamble senses 2

This neighborhood has sidewalks and wide parking strips (called something different everywhere-the area between the sidewalk and the curb)–masses of agapanthus and daylilies and other strap leafed perennials will make this the prettiest ‘hell strip’ in town when they are in full bloom.

Gamble senses 5

A mature tree canopy provides dappled shade to the front walk.

Gamble senses 7

The homeowner enjoys flower arranging and makes use of many blooms from her own garden. The front plantings were originally designed to serve as a demonstration garden for her clients.

Gamble senses 8

A narrow planting strip along the driveway offers vertical gardening opportunities, both softening the look of the property line fence and providing additional privacy.

Gamble senses 19

The driveway as seen from the garage which is placed far back on the lot. The combination of brickwork adds interest and just feels softer and cooler than concrete.

Gamble senses 9

A small guest house with a pergola whose columns mimic those on the home’s front facade separates the back garden into rooms. I thought this little sitting area was one of the most charming I saw on the tour and I know I would be relaxing out there every day.

Gamble senses 12

The red brick fountain tucked next to the sitting area is presided over by a Korean acolyte sculpture the homeowner has named Yoda. The glass balls are meant to deter raccoons from fishing in the pond!

Gamble senses 13

Green Goddess calla lilies share the spotlight with papyrus and other water plants in the pond.

Gamble senses 11

Raised beds and pots in the sitting area are massed with nasturtiums and other edible flowers.

Gamble senses 18

The sitting area and pergola provide a lovely view of the rectangular lawn with its wide compacted gravel walkway–the original brick walkway was replaced after the homeowner’s Parkinson’s disease diagnosis in preparation for a time when a wheelchair path might be needed. Railings were also added to any areas having even a step or two.

Gamble senses 10

The lawn leads to a raised patio from which to dine and enjoy the garden. Kiwi vines cover the the arbor and abundant roses are within reach of the house for easy cutting.

Gamble senses 14

A brick walkway between the guest house and the garage draws visitors back–anxious to see what other delights they will find.

Gamble senses 15

The lot is remarkably deep and easy to walk compacted gravel paths wind around beds filled with annuals, bulbs, perennials and herbs. A green screen along the back property line offers the sense of being all alone in the city.

Gamble senses 17

Ornamentals give way to edibles in raised beds. I could sooo…live in this garden. It feels cool and colorful without being fussy or overly regimented. This is a gardener’s garden.

Gamble senses 20

So ends this year’s Gamble Garden Spring Tour. The Elizabeth F. Gamble Garden deserves a post of its own and I’ll save that for the dog days of the summer when my spring travel is over and my own garden looks like scorched earth.

UC Berkeley Botanical Garden Spring Plant Sale…

The second day of this Bay Area road trip is devoted to a visit to the University of California Botanical Garden at Berkeley to take in their spring plant sale. The sea mist was still hanging in the air as I made my way up into the Berkeley Hills overlooking the San Francisco Bay. All I can say is thank goodness for navigation–a mere four miles from my hotel must have had 2 dozen lefts and rights to get to the 2 lane road into the hillside campus.

Berk sale 13

The garden’s parking lots were full and signage led me uphill to the overflow parking some 3/4 of a mile away at Lawrence Hall. A free shuttle awaited to ferry us back down to the garden.

Berk sale 9

It didn’t take long for me to realize I could not take photos, peruse plants and pull my wagon all at the same time so pictures are few because in this case, plants rule. The garden’s collections are all closed for the sale so only the main walkway seen here is accessible with all secondary paths being roped off.

The Botanical Garden was formally established on the UC Berkeley campus in 1890 with its current 34 acre location in Strawberry Canyon since the property was purchased in 1909. Ten thousand plant types are organized in 9 geographic regions of naturalistic plantings from Italy to South Africa, along with a major collection of California native plants. With the little bits I could see from the sale site I know I want to schedule another visit to see all there is off this beaten path.

Berk sale 1

Here are a few vignettes visible from the walkway…

Berk sale 4

Berk sale 2

Berk sale 6

The fabulous royal blue Ceanothus below was the backdrop for a display of varieties for sale.

Berk sale 3

Berk sale 10

It was identified as Ceanothus thyrsiflorus var. griseus ‘Kurt Zadnik’ and it was no surprise to me that all of this particular one had sold in the few minutes since the sale opened. It is such a benefit to us to be able to see a plant we buy in a gallon can at its mature size and in excellent health. The common appellation Carmel creeper could lead you to believe it is a prostrate variety–not so!

Berk sale 12

There were areas for trees and shrubs, California natives, succulents, shade lovers and sun cravers, houseplants and tropicals but the table with the biggest crowd was the collection of carnivorous plants. Amazing!

Berk sale 8

I gathered up and paid for my precious cargo. All but one of the plants I purchased was propagated onsite from the garden’s collection. My booty includes 4 salvias, two of which have been on my acquisition list for a few years, a coveted Campanula incurva to add to a dappled shade area and a pelargonium with interested red patterned foliage. A day with new plants is a very good day for me!

Bigger than a See’s candy but smaller than a coffee table…at least so far

Bon 6

I guess some plants just know when you’ve picked the right spot for them and they reward you in kind. Such has been the life of Salvia ‘Bon Bon’ since I dug it in near the base of our mailbox on March 20th of last year as part of the replanting of an area previously predominantly turf.

I’d like to say the ‘plan’ for this area was laboriously developed, plant by plant, using age-old principles of good landscape design. Alas, it came to be as most other parts of my garden have–with the statement of a broad goal (reduce irrigation) and whatever plant materials I find in my garden travels supplemented by stock from big box stores and the very few independent garden centers in my city. Sometimes the pickings are good, other times not so much. There is no benefit in developing a design for an area with a pre-planned plant list if those plants cannot be sourced fairly locally.

Having bought several selections new to me at the San Luis Obispo Botanical Garden’s fall plant sale in October 2017 I was still in salvia mode when I ran across a single sad 1 gallon ‘Bon Bon’ at a local nursery, Willow Gardens. It looked as though it had been hanging around awhile and while not especially appealing it was one I didn’t have and fit my broad parameter of being at least moderately xeric. I stand guilty of buy now and research later on this one.

Bon 1
March 21, 2018

At planting it was not even worth a close-up pic but you can see it just to the left of the stone mailbox. Monterey Bay Nursery’s website described it as “a perky, cute little native hybrid of S. clevelandii ‘Aromas’ and S. leucophylla ‘Point Sal'” and as “a very tough, low diminutive dry garden ground cover for full to half sun.” While I can attest to its toughness–this spot has NO source of summer water and it is full on south facing–I am assuming the diminutive appellation is relative to other closely related salvias. Its size is described as about 30″ tall when in flower by about 36″ wide.

Bon 2
Settling in nicely on May 24, 2018
Bon 3
At summer’s end–September 23rd, 2018–no rain since April, out of range of the irrigation system and no hand watering–I am looking way more worse for the wear after summer than ‘Bon Bon’
Bon 5
Coming into bloom in late February 2018

Bon 4

From only a slightly different angle this bed has filled out beyond my wildest dreams in the last year! Salvia ‘Bon Bon’ is a standout snuggled up against the mailbox’s stone column and awash in blooms and bees. I am still unsure if this is its normal bloom cycle. I recently added another to the opposite side of the front walk and it is also starting to bloom. This second spot is slightly less dry and I’m interested to see if the additional water results in a less robust plant. At just a year in the ground it is already at Monterey Bay Nursery’s mature size estimate. I am planning to tidy it up when these blooms are done and that effort will be the first I’ve made on its behalf since it was planted–my kind of minimal maintenance requirements for sure. I’ll let you know when it gets to be bigger than a coffee table! I’m giving ‘Bon Bon’ an A++ for its fledgling year.

 

 

Salvia ‘Dara’s Choice’…

Our so-far mild winter is allowing us to continue work on our final front yard lawn removal. We’ve had just the right amount of rain to loosen up the soil and make digging less onerous but not so much that we have lost too many work days to puddles, sogginess and sinkholes.

Daras choice 1

We are marching steadfastly from west to east with my sweet Dave in the lead, having both the tools and muscle. You can barely see him in this photo sitting on the ground behind the red wheelbarrow. This being our fourth time to the party he has got a pretty good system. The lawn was chemically treated in early fall–lawn removal by sod cutting machinery is not such a sure thing with a common bermuda lawn. The roots can be very deep and any small viable bits left behind will roar back as soon as growing conditions are right. I swear there have been viable bermuda roots found in fossils from prehistoric times!

He has divided the area into smaller, more workable sections. First, he uses a hula hoe to scrape off any above ground dead grass up into piles. To not sacrifice so much of our topsoil he then sifts through these piles, separating grass remains from viable soil–that’s is what he is doing sitting on the ground in the photo. The good soil is then moved off to a tarp to be reincorporated later. Next he tills the area and again picks out any grass roots, rocks, etc. including copious wads of the green netting that was the original sod’s underlayment. Step three is to double dig the section–one shovel depth’s down worth of soil is dug and off loaded to the side and then the newly exposed surface is dug a second shovel depth’s down. The rock, roots and various leftover construction material removal continues throughout the process. All the previously off loaded soil is returned to the bed and dug together along with whatever amendments I have selected for the area. I am exhausted just outlining the process! The last step is to grade the section to flow smoothly into large untouched areas at the bases of our mature trees.

As Dave prepares the beds I follow behind adding the plants. As with the areas already finished I am concentrating on more waterwise plants–hoping to create a balance the water needs of the existing mature landscape and the new. Unlike last year, my back yard holding area is not so flush with “plants in waiting” so planting is going slowly. Lots of bearded iris and daylily divisions have gone in along with a number of my favorite salvias. I am trying a few more new selections such as Cistus ‘Anne Palmer’ and Ceanothus ‘Hearstiorum’, both plantings of which will be in the bed’s ground zero for all day  southern sun. Once these are established they should be very low water users which will allow me to eliminate several pesky, always broken, curbside sprinkler heads.

I am on always on the hunt for plants. Our recent Southern California overnight yielded two nursery stops and a few selections were checked off my acquisition list. Not to be found–and no surprise given the time of year–was another Salvia ‘Dara’s Choice’ to echo the one planted to the west of the front walk last year.

Daras choice 2

I probably should read my own blog archives so I can remember if ‘Dara’s Choice’ was purchased locally or, more likely, one of the salvias I bought at the San Luis Obispo Botanical Garden’s 2017 fall plant sale. The single gallon can specimen was quite small and unremarkable when planted but over the year it has grown to a beautifully shaped, slightly weepy mound with clear medium green quilted leaves. And in the last couple of weeks it has come into bloom. Not really a show stopper but not every plant has to be covered in big, blowsy flowers to have worth in my garden.

Daras choice 3

Mid photo you can see there are a good number of gracefully stalks bearing the small pale blue whorled blooms. The layered foliage performed very well, even though in the ground only a few months, throughout our very hot and dry 2018 summer. Its graceful appearance on the slope is worth repeating in the area we are now working. A little research reveals ‘Dara’s Choice’ to be one of the black sages, botanically Salvia mellifera. Apis mellifera is the scientific name for honeybees to which this plant is highly attractive. The foliage is wonderfully fragrant and its relatively low, mounding profile and broad spread makes it a great salvia selection for well-drained, sunny slopes. I am hopeful I will find one soon and who knows what other interesting plants I will meet along the way! Give us a few more weeks on this project for a complete coverage of what we’ve added to the mix of shrubs and perennials.

Falling into the new season…

With the advent of a few cooler days–read that as high 80s and 90s–I am anxious to get out in my garden. June 1st through August 31st tallied 53 days with temperatures over 100 degrees, with a not quite record breaking run of 30 consecutive days between July 6th and August 4th. I am not sure why I am compelled to cite these statistics–Fresno’s summer weather is largely unchanged from when my family first moved here more than 50 years ago. I am going to have to go with my ability to get through the hot and dry days on my hands and knees as the wild card; I am still going to blame that on Mother Nature, just a different department…oh! did I mention no rain since March?

The new front garden west bed which replaced a failing area of turf weathered the summer pretty well. The pic below which I shared in an April post was taken in March after the bed was partially planted with a Heinz 57 selection of waterwise woody and tender perennials, daylilies, iris divisions and anything else I ran across that looked good to try.

slapped 2

At this point I was still considering a wide stone path from the street (near the eventual home of my in-progress Little Free Library) to the walk leading to my front porch and was visually defining the space with the brick.

Falling 1

After my first planting wave I went ahead and mulched the bed down closely following the last good spring rain and in anticipation of the dry days to come. Notice the Salvia ‘Mesa Azure’ which was part of the original small half circle bed at the base of the crape myrtle tree has come on strong after a late winter cut back. The stone path is still under consideration.

The bed filled in nicely as May turned to June…

Falling 3

Even though this bed is south facing all but the very front has periods of dappled shade throughout the day. I abandoned the idea of the stone path and simply mulched everything down. The area had 2 sprinkler lines-one for the original bed perimeter and another for the turf. We were able to eliminate a number of heads immediately and have flagged the rest to watch through the summer. Although little in this area is thirsty, even drought tolerant plant material needs adequate water to get established.

Both the new and old plantings performed very well.

Falling 5

Falling 6

I got good bloom periods from the daylilies, a variety of perennial dianthus, the new stand of lavender and a few of new semi-woody salvias. Only the Euphorbia ‘Blackbird’ which I was coveting for its burgundy foliage has been almost a total failure. I lost 2 of the original 3 planted. Replaced those and lost them again! In the very first pic of this post you can barely see them newly planted in the lower left corner. I am on the lookout for additional replacements and hopefully can get them in the ground soon enough to allow the roots to get well established through the winter.

Most of the plant material tolerated our dry heat really well for being in the ground less than 4 months as summer peaked. I did a little bucket watering here and there and believe that the bed will hold up next year on its own with only occasional irrigation.

Falling 7

This is how the bed looked a few days ago. Yes–I finally got my Little Free Library in the ground! Even as much of the rest of the garden is looking a little draggy this area is still looking pretty good with plenty of healthy foliage.

Falling 9

Falling 8

The area around this small rock has proven difficult for a group of iris divisions and may end up sporting another large rock. In my efforts to avoid having sprinkler risers along the sidewalk I inadvertently created a few bone dry areas which just don’t get any coverage from the bed’s interior irrigation.

Falling 14Falling 12Falling 11

Three of my new woody salvias (top to bottom): Salvia ‘Dara’s Choice’, Salvia ‘Wild Bill’ and Salvia ‘Bon Bon’ all grew from scant quart container specimens to nicely behaved mounds of interesting foliage but, as yet, have not bloomed. These hardy growers were all purchased last fall at the San Luis Obispo Botanical Garden’s fall plant sale and overwintered in their containers before being planted in their current locations early this spring. I hope to make it to that sale again this year!

A couple of my other first year selections have not been so shy…

Falling 15

Salvia repens x namensis ‘Savannah Blue’ is a hybrid of two South African sages and although its sky blue flowers are small, they are plentiful. The foliage is reminiscent of that of small leafed scented geraniums.

Falling 17

Leucophyllum langmaniae ‘Lynn’s Legacy’ bloomed heavily for 6 weeks mid summer after having a light show of flowers in early spring. This is purported to be quite a large plant at maturity and I have given it a lot of open space. Can you imagine this show on a shrub 4 feet wide and 6 feet tall?

With our spirits buoyed by the success of this turf free landscape and that of last year’s driveway circle lawn replacement project AND the strong back (loving heart) of my newly retired husband I just had the remainder of our front lawn treated for removal. I’ll have several weeks to narrow down my vision for this large wide open area. I’ve fallen all right–just not sure into what!